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    Tom Stoppard Plays 1

    Page 20
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      TOM STOPPARD: PLAYS FIVE

      Arcadia, The Real Thing, Night and Day, Indian Ink, Hapgood

      ROSENCRANTZ AND GUILDENSTERN ARE DEAD

      TRAVESTIES

      JUMPERS

      THE INVENTION OF LOVE

      THE COAST OF UTOPIA

      (Voyage, Shipwreck, Salvage)

      ROCK ’N’ ROLL

      adaptations and translations

      HENRY IV (after Pirandello)

      HEROES (after Sibleyras)

      IVANOV (after Chekhov)

      THE CHERRY ORCHARD (after Chekhov)

      screenplays

      SHAKESPEARE IN LOVE (with Marc Norman)

      fiction

      LORD MALQUIST AND MR MOON

      Copyright

      This collection first published in 1993 as

      The Real Inspector Hound and Other Entertainments

      Reissued as Tom Stoppard: Plays One in 1996

      by Faber and Faber Ltd

      Bloomsbury House

      74–77 Great Russell Street

      London WC1B 3DA

      This ebook edition first published in 2013

      All rights reserved

      This collection © Tom Stoppard, 1996

      The Real Inspector Hound © Tom Stoppard, 1968

      After Magritte © Tom Stoppard, 1971

      Dirty Linen and New-Found-Land © Tom Stoppard, 1976

      Dogg’s Hamlet, Cahoot’s Macbeth © Tom Stoppard, 1980

      The right of Tom Stoppard to be identified as author of this work has been asserted in accordance with Section 77 of the Copyright, Designs and Patents Act 1988

      All rights whatsoever in these works are strictly reserved. Professional applications for permission to perform them, etc., must be made in advance, prior to any such proposed use, to United Agents, 12–26 Lexington Street, London W1F 0LE (info@unitedagents.co.uk). Amateur applications for permission to perform them, etc., must be made in advance, before rehearsals begin, to Samuel French Ltd, 52 Fitzroy Street, London W1P 6JR. No performance may be given unless a license has first been obtained.

      This ebook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights, and those responsible may be liable in law accordingly

      ISBN 978–0–571–30118–8

     

     

     



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