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    Memoirs

    Page 35
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    France, 19, 20, 139–40, 148–50, 244–45

      Frosted Glass Coffin, The (Williams), 150

      Fryer, Robert, 157

      Fugitive Kind (Williams)

      critical response to, 44

      first production, 42–44

      Garbo, Greta, 138–39

      Garden District (Williams), 175–76

      critical response to, 175–76

      New York opening, 175

      Gassner, John, 62

      Gauguin, Paul, 6

      Gay Lib, 50

      George V Hotel, 139

      Germany, 21–23

      Gert, Valesca, 71

      Gibraltar, 160

      Gielgud, John, 147, 148, 149

      Giraudoux, Jean, 70

      Glass Menagerie, The (Williams), 16, 66, 83, 92, 109, 120, 125, 137, 162, 198

      Chicago tryout, 81–82, 85–87, 89, 90

      critical response to, 84, 85, 90, 149–50

      Italian production, 142

      London production, 147–48, 149–50

      New York opening, 84

      1973 television version, 84

      Glenville, Peter, xvi–xvii, 79–80, 127, 147, 179, 192

      Gnadiges Fraulein, The (Williams), xviii, 212–13

      Gordon, Ruth, 200–1

      Gotham Book Mart, 224

      Great Britain, 147–50, 175, 200–1

      Great Gatsby, The (Fitzgerald), 178

      Great Gatsby, The (motion picture), 178

      Greenstreet, Sydney, 76

      Group Theatre, 4, 7

      Guggenheim fellowships, 3

      Gwenn, Edmund, 96

      Hall, Adrian, 193

      Hancock, John, 201

      Hard Candy and Other Stories (Williams), 29

      Harris, Leonard, 233–34

      Harris, Ralph, 206–7

      Harris, Rosemary, 231

      Haydon, Julie, 81, 82

      Hayes, Helen, 138, 147–50

      Helburn, Theresa, 62

      Hemingway, Ernest, 65, 67–68, 111, 164

      Hemingway, Pauline Pfeiffer, 65, 67, 111, 112

      Henreid, Paul, 76

      Hepburn, Katharine, 70

      Herlie, Eileen, 228

      Hickey, Bill, 34, 115

      Hoiby, Lee, 235

      Holiday, Billie, 210

      Homeric, 19

      Homosexuality

      McCullers, 244–45

      U.S.S.R., 9–10

      Williams, 9–10, 15, 49–51, 67, 78–79, 83–84, 140, 208–11

      affairs, 53–54, 59–61, 84, 87, 109, 132–33, 155–69, 173–75, 180–95, 199, 226–28, 232, 235, 242–44, 248

      dancing, 92–93

      first encounters, 25, 28–33, 42, 45–49

      prostitution, 75, 141, 143–45, 147, 154, 231

      sensibility and, 51

      society and, 100–1, 203–4

      Times Square cruising, 52–53

      venereal disease, 75

      violence, 96–98, 135, 136, 185–86, 215–16, 221–22

      Hong Kong, 236

      Hooks, David, 34

      Hopkins, Miriam, 59, 61, 111, 160

      Hótel de l’Université, 148–49

      Howard, Leslie, 39

      Huit Clos (Sartre), 149

      Hunter, Tab, 199

      Hunter College, 124

      Huxley, Aldous, 102

      If You Don’t Dance They Beat You (Quintero), 202

      Iliad, The (Homer), 11

      Illinois, University of, 87

      Inge, William, 87–90, 165, 215–16

      alcohol, 87–88

      drugs, 87–88

      Williams on, 87–90

      Ink Spots, 110

      Inman, Mrs., 105

      Institute for Living, 126

      International Shoe Company, 8, 13, 25, 36, 116, 124–25

      International Who’s Who, 1–2

      In the Bar of a Tokyo Hotel (Williams), xviii, 51, 213, 216

      In the Summer House (Bowles), 160

      “Inventory at Fontana Belle, The” (Williams), 156

      Iowa, University of, 42–49

      Isherwood, Christopher, 77, 79

      Italy, 128, 141–47, 161, 162–65, 169, 178, 195–96, 200, 211, 215–17, 237

      Ivanhoe Theatre, 228

      Jackson, Anne, 53

      Jamais Hotel, 161

      January Crossing (Mills), 123

      Japan, 236

      Joe Allen’s, 35, 227

      Johnson, Buffie, 152

      Johnston, Spuds, 102

      Jones, Margo, 79, 81–82, 92, 111, 130–34

      Summer and Smoke production,108–9, 151–53

      “J.S.” (river steamer), 18

      Kahn, Michael, 40

      Kanin, Garson, 243

      Kappa Kappa Gamma, 27

      Kazan, Elia, 90, 102, 162, 170–71, 175, 183, 195, 229

      Baby Doll, 169–70

      Camino Real, 165–67

      The Glass Menagerie, 130–32

      A Streetcar Named Desire, 134–35, 137

      Sweet Bird of Youth, 173–74

      Kazan, Molly Day Thacher, 4, 7, 130, 174, 175, 195

      Kennedy, John F., 136

      Kennedy, Mrs. John F., 136

      Kerr, Walter, 212, 245–46

      Kidd, Edie, 218

      Kingdom of Earth (Williams), 40, 58, 165, 211–12

      critical response to, 212

      Kirstein, Lincoln, 77

      Kramer, Mrs., 15, 29

      Kramer, Florence, 15–16, 18, 37

      Kramer, Hazel, 14–18, 25, 28–29, 37, 38, 120

      Kubie, Dr. Lawrence, 173, 238

      Kuniyoshi, Yasuo, 64

      “Lady in Satin” (record album), 210

      Langner, Lawrence, 62–63, 69

      Lanier, Nan, 205, 211

      Lanier, Reverend Sidney, 195

      Lansbury, Angela, 41, 201

      Lansing, Robert, 175

      Last Tango in Paris (motion picture), 83

      LaTouche, John, 132–33

      Latter Days of a Celebrated Soubrette, The (Williams), 246

      Lawrence, D. H., 41, 94, 102, 140

      Lawrence, Frieda, 102, 104

      Lawrence, Jane, 152

      Lazareff, M., 140

      Lazareff, Mme., 140

      Lee, Doris, 64

      Leigh, Vivien, 226

      Leighton, Margaret, 212–13

      Levy, Dr., 223, 224, 225, 226

      Lewis, Robert, 162, 167

      Liebling, Bill, 7, 10, 92, 104, 228

      Liebling–Wood, Inc., 10

      Life, 216

      Loring, Eugene, 76, 79

      Lorre, Peter, 76

      Losey, Joe, 183, 200

      Luce, Clare, 193

      Luhan, Mabel Dodge, 103

      Lutetia Hotel, 139–40

      Lyon, Nelson, 192

      Mabie, E. C., 47, 48–49

      McArthur, Charles, 148

      McBurney, Clark Mills, 48

      McCabe, Terrence, 38

      McCarthy, Joseph, 105

      McClintic, Guthrie, 96

      McCool, Ellen, 210

      McCullers, Carson, 106–9, 159, 237–38, 244–45

      Williams on, 106–9

      McCullers, Reeves, 108

      homosexuality, 244–45

      McGovern, Eugene, 95

      Machiz, Herbert, 175, 197, 198

      McIlhenny, Henry, 146

      Madden, Donald, 41, 51, 193, 200–1, 213, 228

      Madwoman of Chaillot, The (Giraudoux), 70

      Magnani, Anna, xix, 61, 82, 162–65, 181, 196, 244–45

      Malraux, André, 136

      “Man Bring This Up Road” (Williams), 195

      Mann, Eric, 238

      Manning, Mary Louise, 232

      Marais, Jean, 149

      Marijuana, 159

      Martin Beck Theatre, 173

      “Mattress by the Tomato Patch, The” (Williams), 77

      Maugham, Somerset, 236, 243

      Mayer, Louis B., 167

      Meacham, Anne, 41, 175, 176, 213, 216, 218, 246

      Mellaril, 205, 209

      Melton, Fred, 55

      Member of the Wedding, The (McCullers)


      novel, 106

      play, 107–8, 238

      Memorial Hospital, 189, 193–94

      Menotti, Gian-Carlo, 196

      Merlo, Anna, 194

      Merlo, Frank Phillip, 84, 109, 155–69, 173–75, 180–95, 199, 226–28, 232, 235, 244, 248

      death of, 194–95

      drugs, 186

      financial situation, 188

      physical health, 183, 185, 189–94

      Merrick, David, xvi–xvii, 127, 183, 199–200, 211–12, 215, 234

      Metro-Goldwyn-Mayer, 49, 59, 76, 77, 152

      Mexico, 5, 56–59, 79, 92–94

      Miles, Sylvia, 178, 201, 216

      Milk Train Doesn’t Stop Here Anymore, The (Williams), 41, 187–88, 195–201

      critical response to, 197, 198

      London production, 200–1

      motion picture version, 198, 200, 201, 210

      New York production, 196–98

      out-of-town tryout, 196–98

      San Francisco revival, 201

      Spoleto production, 195–96, 200

      Tallulah Bankhead production, 198–200

      Miller, Arthur, 130

      Mills, Clark, 122–24

      Miltown, 211

      Miramare Hotel, 195

      Mishima, Yukio, 236, 248

      Missouri, University of, 2, 24–27, 29–33, 35–36, 120

      Moore, Dudley, 246

      Moore, Virginia, 121

      Moriarty, Michael, 40, 51

      Morocco, 160–61, 187, 188, 207

      Morphine, 70

      Morrissey, Paul, 216–17

      Mother Courage (Brecht), 41

      Mozart, Wolfgang Amadeus, 109

      Mummers of St. Louis, 42, 43

      Murray, Don, 161

      Murray, Peg, 114, 128, 214, 239

      Music Box Theatre, 158–59

      Mutilated, The (Williams), 212

      Myers, John, 175

      Nacional Hotel, 177

      Nathan, George Jean, 82, 90

      National Institute of Arts and Letters, 2

      Nave Nave Mahana (Gauguin), 6

      Nembutal, 171, 192, 240

      Nesbitt, Cathleen, 176

      Netherlands, the, 21–23

      New Directions, 159, 171

      Newman, Paul, 83, 173

      New Theatre, 156, 214, 238–39

      New York Drama Critics’ Award, 169

      New Yorker, The, 29, 72, 106

      New York Herald-Tribune, The, 176

      New York Times, 59, 114, 152, 176

      Night of the Iguana, The (Williams), xviii, 58, 180–83

      early production of, 183–84, 193

      out-of-town tryout, 180–83

      Nijinsky, Waslaw, 9, 54

      Nixon, Richard M., 95

      Norton, Elliot, 197

      Nytol, 225

      Ochsner Clinic, 202

      “Old Men Go Mad at Night” (Williams), 227

      Olivier, Laurence, 83

      “One Arm” (Williams), 93

      Orient Hotel, 236

      Orme, Dick, 91, 109

      Orpheus Descending (Williams), 31, 172–73, 175

      critical response to, 173

      Philadelphia tryout, 172

      Out Cry (Williams), 79–80, 127–29, 147, 179, 192, 215, 227

      Chicago tryout, 228–29, 233

      critical response to, 233–34

      New Haven tryout, xv–xviii

      New York production, 233–34

      rewrites, 242

      Ozzie (nurse), 11, 252

      P. J. Clarke’s, 150, 158

      Page, Geraldine, 82, 173, 201

      Paris Jour, 140

      Paris Soir, 140

      Parrot, Jim, 64, 65–66

      Parsons, Estelle, 211–12

      Pasadena Playhouse, 79

      Perfect Analysis Given by a Parrot, A (Williams), 147

      Perse, St.-Jean, 162

      Persky, Lester, 200, 212

      Pi Kappa Alpha, 24

      Pickford, Mary, 23

      Pinero, Sir Arthur Wing, 61

      Pink Bedroom, The (Williams), 138–39

      Pinter, Harold, 170

      Plaza Hotel, xvi, 9–10

      Poker Night, The (Williams), 109–10

      Pollock, Jackson, 56, 250

      Polyclinic Hospital, 59

      Pont Royal, 244

      “Portrait of Girl in Glass” (Williams), 120, 125

      Portrait of a Madonna (Williams), 132

      President Cleveland, 236

      Pride and Prejudice (Austen), 45

      Prostitution, 75, 141, 143–45, 147, 154, 231

      Psychoanalysis, xviii, 173, 206–7, 238

      Puerto Rico, 201–2

      Pulitzer Prize, 169

      “Purification, The” (Williams), 55

      Queen Mary, 150–51

      Quintero, José, 150, 183, 201–2, 211–12, 226

      Rabb, Ellis, 231

      Rader, Dotson, 156

      Rasky, Harry, 95

      Ray, Johnny, 166

      Red Devil Battery Sign, The (Williams), 183, 234

      Redgrave, Vanessa, 199

      Reed, Rex, 178, 217

      Rembrandt Hotel, 160

      Remembrance of Things Past (Proust), 142

      Rhodes, 207–8

      Rhodes, Knolle, 40

      Rhodes, Mrs. Knolle, 40

      Richard of Bordeaux, 46, 47

      Richardson, Tony, 198–99

      Rimbaud, Arthur, 123, 250

      Ritallin, 239

      Ritz-Carlton Hotel, 197

      Robert Clay Hotel, 176

      Robertson, Cliff, 172

      Rockfeller Foundation, 3, 7–8, 10, 63, 69

      Rock Hotel, 160

      Roebling, Paul, 196–98

      Roebling, Mrs. 197–98

      Romains, Jules, 123

      Roebling, Mrs., 197–98

      Roman Spring of Mrs. Stone, The (Williams) 141, 172

      motion picture version, 226

      Rome Daily American, 89

      Romeo and Juliet (motion picture), 142

      Rose Arbor Players, The, 40

      Rosebrough, Mrs., 41

      Rose Tattoo, The (Williams), 161–62, 172, 188

      critical response to, 162

      motion picture version, 162

      Ross, Tony, 86

      Royal Court Theatre, 200

      Royalton Hotel, 106

      “Sabbatha and Solitude” (Williams), 240

      Sagan, Françoise, 176

      St. Just, Lady, 149, 178, 195, 210, 215, 217, 228, 229, 243, 244, 246

      St. Just, Lord, 149

      St. Louis University, 224

      St. Regis Hotel, 243

      St. Vincent’s Hospital, 39

      Santayana, George, 146–47

      Sardi’s, 192, 212

      Saroyan, William, 37

      Sartre, Jean Paul, 68–69, 149

      Scapino, 40

      Scarlet Pimpernel, The (motion picture), 39

      Schippers, Thomas, 196

      Schneider, Alan, 212

      Scofield, Paul, 127

      Sea Gull, The (Chekov), 41

      Seconal, 158, 169, 182, 203, 210–11, 225–26

      Selznick, Irene M., 111–12, 132, 134–36, 161, 167

      Senso (motion picture), 195

      “Separate Poem, A” (Williams), 155

      Sevier, John, 12

      Shapiro, Bernice Dorothy, 41

      Shaw, Clay, 204

      Shaw, Guy, 14

      Shaw, Irwin, 4

      Shelton Hotel, 98

      Shubert Theatre, xv, xvi

      Sicily, 142, 179, 241

      Sikes, Pinkie, 19

      Sillcox, Luise M., 7

      Singer, Louis J., 81, 82

      Slapstick Tragedy (Williams), 212–13

      Sloane, Al, 192, 193

      Small Craft Warnings (Williams), 9, 51, 94, 128–29, 238–40

      rewrites of, 234

      Williams appears in, 33–35, 114, 128, 138, 147, 150, 156–58, 192, 214–15, 239

      Smith, Jane, 170, 215

      Smith, Tippy, 27

      Smith, Tony, 108, 152, 170, 215


      Smith, William Jay, 122–24

      Smith College, 63, 65

      Socialism, 37, 94

      Social Register, 105

      Something Unspoken (Williams), 175

      Sorbonne University, 123

      Soule, Bobby, 193

      Southwestern University, 40, 119

      Spain, 159

      Spanish-American War, 12

      “Speechless Summer, The” (Williams), 187

      Spender, Stephen, 39

      Spiegel, Sam, 176

      Spoleto’s Festival of Two Worlds, 195–96, 200

      Square Root of Wonderful, The (McCullers), 108

      Stairs to the Roof (Williams), 59

      Standard Fruit Company, 65

      Stapleton, Maureen, 82, 99, 147, 161–62, 173, 211

      “Stardust” (Darling), 35

      Star-Times, 89

      State Asylum (Missouri), 125, 251

      Stay of Execution (Alsop), 247

      Steen, Mike, 209

      Stein, Gertrude, 50

      Stein, Jean, 170

      Steinbeck, John, 167

      Steinbeck, Mrs. John, 167

      Stephens College, 30–31

      Stevens, Roger, 196, 198

      Stirrup, Dan, 189, 192

      Stoney Lodge, 126–27, 243, 244, 250–51

      Stopped Rocking (Williams), 225

      Story, 37

      Strand Theatre, 75–76

      Strasberg, Lee, 162, 167

      Streetcar Named Desire, A (Williams), 53–54, 109–12, 153, 155, 157, 161, 162, 235

      Italian production, 142

      New York opening, 137

      out-of-town tryout, 135–37

      preparations for New York production, 130–32, 134–35

      recent productions, 231, 242

      Subber, Saint, 166

      Suddenly Last Summer (Williams), 175–76

      motion picture version, 176

      Sullavan, Margaret, 132

      Sullivan, Brad, 34

      Summer and Smoke (Williams), 92, 108, 109, 150, 158–59, 161, 201, 238

      critical response to, 108–9, 152, 153

      Margo Jones production, 108–9, 151–53

      Sweet Bird of Youth (Williams), 82, 176–77, 208

      critical response to, 176

      New York production, 173–74

      Paris production, 176

      Tandy, Jessica, 132, 135

      Tatiana, 243, 251, 252

      Taylor, Elizabeth, 200, 201, 210

      Taylor, Laurette, 81–82, 131, 198

      alcohol, 90

      Mrs. Edwina Williams and, 85–86

      Williams on, 86, 89, 90–91

      Television interviews, 94–96, 213

      Ten Blocks on the Camino Real (Williams), 101, 165

      Audrey Wood’s reaction to, 101, 165

      Tennessee, University of, 12, 24, 25

      Ter–Arutunian, Rouben, 199

      Terra Trema, La (motion picture), 142

      Texas, University of, 38

      Thailand, 235–37

      Theatre Guild, 52, 59, 62–63, 69, 148

      This Is (Williams), 234

      Thomas, Dylan, 39, 108

      Thomas, Norman, 37

      “Three Players of a Summer Game” (Williams), 29

      Torn, Rip, 173

      Tramway che se chiamo Desiderio, Un (A Streetcar Named Desire), 142

      Twain, Mark, 69

      Two-Character Play, The (Williams), 179

     


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