Solidarity changed Poland. It was founded at the Lenin Shipyard on September 17, 1980, as the first trade union within Eastern Europe not controlled by a communist party. It was, as noted in chapter 16, a young person’s organization, most of its leaders under the age of thirty. At its peak over ten million joined, one-third of the working-age population of Poland. It fought to effect political change, challenging the Red Bourgeoisie (chapter 16), ultimately succeeding when communist control ended in 1990. But unlike in the story, there was no Warsaw Protocol, or at least history has yet to note its existence.
Sturney Castle is a composite of several that exist across northern Slovakia (chapter 4). The torture Jonty Olivier utilizes in chapter 2, with the electrical wire down the throat, is not my invention. Košice, Slovakia, and Zakopane, Poland, are real, as is the Tatra Museum (chapters 23 and 37). The U.S. consulate in Kraków is there (chapter 35). The Wojtyła house museum in Wadowice can be visited (chapter 55).
The monastery at Jasna Góra is Poland’s most sacred religious site (chapters 41, 43, and 45). The Black Madonna and Child have long been associated with miraculous cures. The monks who guide visitors wear white robes and look a lot like a pope. All of the locales within the monastery are faithfully described, including its magnificent library. Finally, the Edgar Allan Poe pen mentioned in chapter 23 is a true collector’s piece, created by Montblanc. Many years ago, I was given one as a gift.
The salt mine at Wieliczka was one of the original twelve places first chosen in 1978 for a World Heritage Site designation. And rightly so. It is a spectacular accomplishment. Seven hundred years of salt extraction has left thousands of chambers and almost two hundred miles of tunnels. The story of Saint Kinga, and how the mine first started, is another tale that is ingrained in the local mythology (chapter 14). There are only nine levels. I created the tenth (chapter 31). Those familiar with the mine will see that the internal geography I used does not fit reality, but it was necessary to make changes.
The vast majority of visitors walk the tourist routes on Levels I and II. Access is through the Daniłowicz Shaft and its authentic caged elevators. Those levels are well lit and beautifully designed. There’s everything from a restaurant to a conference center, souvenir kiosks, exhibits, shops, and even a health facility for asthmatics. For the more adventurous there is the miner’s tour with a descent of the Regis Shaft to the much more rustic (though younger) lower levels. There the visitor experiences what it was like all those centuries ago to be a miner. It’s dead silent, and the only light comes from your helmet. I tried to capture that ambience throughout the novel, but if you’re given the opportunity, take the miner’s tour. I’m not a big fan of enclosed spaces, but I had no issues while down there thanks to all of the shafts being properly ventilated. An excellent book on the subject is referenced in the novel (chapter 53). City in Salt, by Andrzej Nowakowski.
Most of the underground chambers are named (chapter 18), and many are supported by wooden cribbing (chapter 31) placed there centuries ago. The salt wall described in chapter 33 is one of countless that exist. I saw one that had been erected in the 18th century. Chapels are scattered across all nine levels, the most magnificent being Saint Kinga’s (chapter 29). My Chapel of St. Francis (chapter 66) is a composite of several. Carvings and sculptures are likewise everywhere, all created by the miners. The image of St. Bobola, described in chapter 56, is my invention.
Outside the mine stands the graduation tower (chapter 59), which makes extensive use of salt brine pumped from underground. That brine is collected in a series of underground lakes (chapters 73–76) that are clear, cold, and artfully illuminated. The concentration of saturated salt is so intense that nothing can sink without an enormous amount of ballast. Tourism in the mine started many centuries ago when the Crown would bring royalty down to show off its wealth. They would eat and dance in the largest chambers, then row across the underwater lagoons. There’s a story the mine guides tell of a time, in the 19th century, when one of the boats capsized, its occupants trapped beneath. Because of the brine, none were able to dive down and swim out from underneath to safety.
They all suffocated.
At its heart, this novel is about Poland, a nation that knows oppression. Invaders have come for centuries. The Swedes, Turks, Cossacks, Russians, Prussians, Austrians, French, and Germans all wreaked havoc. The nation was wiped from the map in 1795, the land divided among Russia, Prussia, and Austria, history rewritten to blot out all memory of anything Polish (chapter 12). Eventually Poland reemerged (chapter 16) only to be taken by the Nazis then handed away by the Allies after World War II to Stalin. In 1990, with the fall of communism, the nation came back to life. As is quoted in chapter 16, Poland is indeed the Jesus Christ of nations.
Martial law was imposed in December 1981 (chapter 55). Tens of thousands were arrested and imprisoned, the country placed on total lockdown. But, as noted in chapter 55, that horribly oppressive act may have saved the nation. First, it allowed Solidarity time to regroup. Second, it graphically demonstrated to the people the horrors they were living under. Life in Poland then was beyond hard (chapter 22). The government, in a foolish move, began to stock stores with food and merchandise, thinking the populace would be grateful. Instead, all it showed was that the government had been responsible for the shortages all along. Finally, it galvanized the world into action, which placed even more pressure on the communists (all of which I dealt with in my novel The 14th Colony).
But Poland bears some responsibility for its troubled past.
It has a volatile history (chapter 5). The absurdity of electing a king (chapter 34) led to centuries of political chaos. Then the single-man veto, the liberum, crippled government and allowed a few to dominate the many, making it even easier for invaders to triumph. For a long time Poland did not have weak government, it had no government at all, and that ultimately cost them everything.
Today the country is littered with political parties, the PO and PiS the most dominant (chapter 12). They constantly fight and bicker and try to glue together some semblance of a coalition. Sometimes it works, most times not. The Polska Partia Przyjaciół Piwa, Polish Beer-Lovers’ Party (chapter 12), existed and is illustrative of how absurd things can get. Poland continues to struggle to find its place within the European and world communities. Sadly, though, all of the current violence and struggles discussed in chapters 65 and 74 are fact-based. Ronald Reagan said, Poland is not East or West. Poland is the center of European civilization. It has contributed mightily to that civilization. It is doing so today by being magnificently unreconciled to oppression. And a few lines from its national anthem say it all:
Poland has not yet perished,
So long as we still live.
What the foreign force has taken from us,
We shall with sabre retrieve.
ALSO BY STEVE BERRY
COTTON MALONE NOVELS
The Malta Exchange
The Bishop’s Pawn
The Lost Order
The 14th Colony
The Patriot Threat
The Lincoln Myth
The King’s Deception
The Jefferson Key
The Emperor’s Tomb
The Paris Vendetta
The Charlemagne Pursuit
The Venetian Betrayal
The Alexandria Link
The Templar Legacy
STAND-ALONE NOVELS
The Columbus Affair
The Third Secret
The Romanov Prophecy
The Amber Room
NOVELLAS (WITH M. J. ROSE)
The Museum of Mysteries
The Lake of Learning
STEVE BERRY is the New York Times and #1 internationally bestselling author of fifteen Cotton Malone novels, four stand-alones, and several works of short fiction. He has 25 million books in print, translated into forty languages. With his wife, Elizabeth, he is the founder of History Matters, which is dedicated to histor
ical preservation. He serves as an emeritus member of the Smithsonian Libraries Advisory Board and was a founding member of International Thriller Writers, formerly serving as its co-president. You can sign up for email updates here.
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Contents
Title Page
Copyright Notice
Dedication
Acknowledgments
Epigraph
Prologue
Present Day
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Chapter Fifty-Three
Chapter Fifty-Four
Chapter Fifty-Five
Chapter Fifty-Six
Chapter Fifty-Seven
Chapter Fifty-Eight
Chapter Fifty-Nine
Chapter Sixty
Chapter Sixty-One
Chapter Sixty-Two
Chapter Sixty-Three
Chapter Sixty-Four
Chapter Sixty-Five
Chapter Sixty-Six
Chapter Sixty-Seven
Chapter Sixty-Eight
Chapter Sixty-Nine
Chapter Seventy
Chapter Seventy-One
Chapter Seventy-Two
Chapter Seventy-Three
Chapter Seventy-Four
Chapter Seventy-Five
Chapter Seventy-Six
Chapter Seventy-Seven
Chapter Seventy-Eight
Writer’s Note
Also by Steve Berry
About the Author
Copyright
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the author’s imagination or are used fictitiously.
First published in the United States by Minotaur Books, an imprint of St. Martin’s Publishing Group
THE WARSAW PROTOCOL. Copyright © 2020 by Steve Berry. All rights reserved. For information, address St. Martin’s Publishing Group, 120 Broadway, New York, NY 10271.
www.minotaurbooks.com
Cover design by David Baldeosingh Rotstein
Cover photographs: background © M Ramírez / Alamy Stock Photo; emblem © Yaroslaff / Shutterstock.com
The Library of Congress has cataloged the print edition as follows:
Names: Berry, Steve, 1955– author.
Title: The Warsaw protocol / Steve Berry.
Description: First edition.|New York: Minotaur Books, 2020.|Series: Cotton Malone; 15|
Identifiers: LCCN 2019043232|ISBN 9781250140302 (hardcover)|ISBN 9781250768612 (signed edition)|ISBN 9781250140319 (ebook)
Subjects: LCSH: Malone, Cotton (Fictitious character)—Fiction.|Political fiction.|GSAFD: Suspense fiction.|Spy stories.
Classification: LCC PS3602.E764 W37 2020|DDC 813/.6—dc23
LC record available at https://lccn.loc.gov/2019043232
eISBN 9781250140319
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First Edition: February 2020