Our Review
When in Rome
A stolen masterpiece with arcane allegorical significance; a decades-old political kidnapping and murder; and, of course, a tantalizing artwork of unknown provenance -- in his seventh Jonathan Argyll art mystery, The Immaculate Deception, English art historian Iain Pears returns with a virtuosic display of ingenious plotting and literary trompe l'oeil.
Pears's clever and effortlessly erudite art mysteries have found a select readership on both sides of the Atlantic. But the phenomenal success of Pears's 1998 literary thriller, An Instance of the Fingerpost -- a multifaceted Restoration whodunit on a par with Umberto Eco's The Name of the Rose -- has dramatically increased stateside interest in the author's earlier work. The Immaculate Deception once again centers on the exploits of the affable and perpetually distracted English art dealer Jonathan Argyll; the beautiful and formidable Flavia di Stefano of the Italian Art Theft Squad; and her
erstwhile boss, General Taddeo Bottando, along with several of the series' usual -- or, more appropriately -- unusual supporting cast of suspects.
When a masterpiece on loan for the opening of an international exhibition is stolen in a manner calculated to embarrass the Italian government, Flavia di Stefano is ordered by the newly installed prime minister to recover the painting at all costs. Her deceptively simple mandate quickly reveals itself to be a politically fraught, no-win situation. If is she meets the thief's ransom demands, she'll almost certainly be disgraced -- and perhaps go to jail; if she refuses the order, she'll be summarily removed from her post. With Jonathan jaunting through the Tuscan countryside on the trail of an interesting art collection, Flavia turns to her old
friend and confidant General Bottando for advice. As a seasoned survivor of the Roman political arena himself, he suggests that she follow the time-honored convention and do as other Romans: "When faced with deviousness, you must be devious yourself."
Working together, Flavia and Bottando devise a plan to recover the painting. But no sooner has the ransom been paid than the art-napper -- a former '60s radical turned bourgeois performance artist -- is found dead under highly suspicious circumstances. Worse, Bottando himself has disappeared without a trace, leaving Flavia to face her first major crisis as head of the Art
Squad alone. Risking official censure and hounded by a sinister journalist, Flavia explores the tenuous connection between a decades-old act of terrorism and recent events, only to discover a secret conspiracy that could topple the government -- or cost her her life.
Like Michael Dibdin's award-winning Aurelio Zen novels, Pears's Jonathan Argyll mysteries go beyond genre fundamentals to immerse readers in every aspect of contemporary Italian culture -- from its legendary art and cuisine to the labyrinthine bureaucracy of the political and criminal justice systems to candid, unexpectedly breathtaking portrayals of everyday life. The Immaculate Deception is a splendid addition to a mystery series of the first order, and an exuberant confirmation of Iain Pears as a modern
master of the form.
--Greg Marrs
Mystery & Detective / History & Fiction
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-- a multifaceted Restoration whodunit on a par with Umberto Eco's The Name of the Rose -- has dramatically increased stateside interest in the author's earlier work. The Immaculate Deception once again centers on the exploits of the affable and perpetually distracted English art dealer Jonathan Argyll; the beautiful and formidable Flavia di Stefano of the Italian Art Theft Squad; and her
erstwhile boss, General Taddeo Bottando, along with several of the series' usual -- or, more appropriately -- unusual supporting cast of suspects.
When a masterpiece on loan for the opening of an international exhibition is stolen in a manner calculated to embarrass the Italian government, Flavia di Stefano is ordered by the newly installed prime minister to recover the painting at all costs. Her deceptively simple mandate quickly reveals itself to be a politically fraught, no-win situation. If is she meets the thief's ransom demands, she'll almost certainly be disgraced -- and perhaps go to jail; if she refuses the order, she'll be summarily removed from her post. With Jonathan jaunting through the Tuscan countryside on the trail of an interesting art collection, Flavia turns to her old
friend and confidant General Bottando for advice. As a seasoned survivor of the Roman political arena himself, he suggests that she follow the time-honored convention and do as other Romans: "When faced with deviousness, you must be devious yourself."
Working together, Flavia and Bottando devise a plan to recover the painting. But no sooner has the ransom been paid than the art-napper -- a former '60s radical turned bourgeois performance artist -- is found dead under highly suspicious circumstances. Worse, Bottando himself has disappeared without a trace, leaving Flavia to face her first major crisis as head of the Art
Squad alone. Risking official censure and hounded by a sinister journalist, Flavia explores the tenuous connection between a decades-old act of terrorism and recent events, only to discover a secret conspiracy that could topple the government -- or cost her her life.
Like Michael Dibdin's award-winning Aurelio Zen novels, Pears's Jonathan Argyll mysteries go beyond genre fundamentals to immerse readers in every aspect of contemporary Italian culture -- from its legendary art and cuisine to the labyrinthine bureaucracy of the political and criminal justice systems to candid, unexpectedly breathtaking portrayals of everyday life. The Immaculate Deception is a splendid addition to a mystery series of the first order, and an exuberant confirmation of Iain Pears as a modern
master of the form.
--Greg Marrs
-- has dramatically increased stateside interest in the author's earlier work. The Immaculate Deception once again centers on the exploits of the affable and perpetually distracted English art dealer Jonathan Argyll; the beautiful and formidable Flavia di Stefano of the Italian Art Theft Squad; and her
erstwhile boss, General Taddeo Bottando, along with several of the series' usual -- or, more appropriately -- unusual supporting cast of suspects.
When a masterpiece on loan for the opening of an international exhibition is stolen in a manner calculated to embarrass the Italian government, Flavia di Stefano is ordered by the newly installed prime minister to recover the painting at all costs. Her deceptively simple mandate quickly reveals itself to be a politically fraught, no-win situation. If is she meets the thief's ransom demands, she'll almost certainly be disgraced -- and perhaps go to jail; if she refuses the order, she'll be summarily removed from her post. With Jonathan jaunting through the Tuscan countryside on the trail of an interesting art collection, Flavia turns to her old
friend and confidant General Bottando for advice. As a seasoned survivor of the Roman political arena himself, he suggests that she follow the time-honored convention and do as other Romans: "When faced with deviousness, you must be devious yourself."
Working together, Flavia and Bottando devise a plan to recover the painting. But no sooner has the ransom been paid than the art-napper -- a former '60s radical turned bourgeois performance artist -- is found dead under highly suspicious circumstances. Worse, Bottando himself has disappeared without a trace, leaving Flavia to face her first major crisis as head of the Art
Squad alone. Risking official censure and hounded by a sinister journalist, Flavia explores the tenuous connection between a decades-old act of terrorism and recent events, only to discover a secret conspiracy that could topple the government -- or cost her her life.
Like Michael Dibdin's award-winning Aurelio Zen novels, Pears's Jonathan Argyll mysteries go beyond genre fundamentals to immerse readers in every aspect of contemporary Italian culture -- from its legendary art and cuisine to the labyrinthine bureaucracy of the political and criminal justice systems to candid, unexpectedly breathtaking portrayals of everyday life. The Immaculate Deception is a splendid addition to a mystery series of the first order, and an exuberant confirmation of Iain Pears as a modern
master of the form.
--Greg Marrs
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
Clara Vaughan, a Novel in Three Volumes; Volumes 1-3 by R. D. Blackmore 1864 Volume 1; Book 1; Chapter 1.I do not mean to describe myself. Already I feel that the personal pronoun will appear too often in these pages. Knowing the faults of my character almost as well as my best friends know them, I shall attempt to hide them no more than would those beloved ones. Enough of this: the story I have to tell is strange, and short as my own its preamble.The day when I was ten years old began my serious life. It was the 30th of December, 1842; and proud was the kiss my loving father gave me for spelling, writing, and pronouncing the date in English, French, and Italian. No very wonderful feat, it is true, for a clever child well-taught; but I was by no means a clever child; and no one except my father could teach me a single letter. When, after several years of wedlock, my parents found new joy in me, their bliss was soon overhung with care. They feared, but durst not own the fear, lest the wilful, passionate, loving creature, on whom their hearts were wholly set, should be torn from their love to a distance greater than the void of death; in a word, should prove insane. At length they could no longer hide this terror from each other. One look told it all; and I vaguely remember my hazy wonder at the scene that followed. Like a thief, I came from the corner behind the curtain-loops, and trembled at my father’s knee, for him to say something to me. Then frightened at his silence--a thing unknown to me--I pulled his hands from before his eyes, and found hot tears upon them. I coaxed him then, and petted him, and felt his sorrows through me; then made believe to scold him for being so naughty as to cry. But I could not get his trouble from him, and he seemed to watch me through his kisses.Before I had ceased to ponder dreamily over this great wonder, a vast event (for a child of seven) diverted me. Father, mother, and Tooty--for so I then was called--were drawn a long way by horses with yellow men upon them: from enlarged experience I infer that we must have posted to London. Here, among many marvels, I remember especially a long and mysterious interview with a kind, white-haired old gentleman, who wore most remarkable shoes. He took me upon his lap, which seemed to me rather a liberty; then he smoothed down my hair, and felt my head so much that I asked if he wanted to comb it, having made up my mind to kick if he dared to try such a thing. Then he put all sorts of baby questions to me which I was disposed to resent, having long discarded Cock Robin and Little Red-riding-hood. Unconsciously too, I was moved by Nature’s strong hate of examination. (Continued...)
A 16 year old girl has disappeared. The police believe she is a runaway. Her parents believe she has been taken and is being held against her will. When the parents enlist the services of Frank Rozzani, a former police officer turned private detective, a series of events begins to unfold that implicates a popular local pastor and the religious stronghold of the ultra-conservative community.A 16 year old girl has disappeared. The police believe she is a runaway. Her parents believe she has been taken and is being held against her will. When the parents enlist the services of Frank Rozzani, a former police officer turned private detective, a series of events begins to unfold that implicates a popular local pastor and the religious stronghold of the ultra-conservative community. Frank Rozzani, a transplant to Jacksonville, Florida from Syracuse, New York, must find the young girl despite the obstacles launched at him from the local police and others whose interests may be compromised by his investigation. Frank enlists the help of his associate Clifford “Jonesy” Jones to find the girl, uncover the conspiracy, and stay alive. While solving the case, Frank must deal with the demons that drove him from Upstate New York causing him to leave traumatic memories and his children behind.
Carson Drew's old friend Charlie invites Nancy and her friends to his 800-acre Highland Retreat in the Cascade Mountains where a legend of an untapped gold mine theatens
Kayla Covington is the one to hire to find and recover what you have lost. She thought she had seen and heard it all, that was until she was hired to infiltrate a secret society to uncover their secrets and steal their prized artifact. Now the only question that she cares about is, will she make it out of this alive?Kayla Covington is a Private Eye for all occasions on the alien world of Pheros. She is the one you hire to find what you have lost, to glean information on a rival to use against them, or to discreetly remove something that could cause embarrassment. She thought she had seen and heard it all, that was until she was hired to infiltrate a secret society to uncover their secrets and steal their prized artifact. Now the only question that she cares about is, will she make it out of this alive?
A full-length, paranormal romance novel.
For the last decade, eighteen-year-old Laikyn has lived in the Common Realm with humans, believing she was human. She can’t remember her life before she was eight-years-old, but what she does know is she fears the paranormal creatures from the other realms, particularly werewolves. And for a good reason.
A year ago, Laikyn was attacked by two werewolves. She survived only because Legend, a banished vampire, saved her.
The scars left behind from the attack haven’t healed yet, and neither has her fear of werewolves. So when Legend decides to take her on a trip to the Midnight Realm, where night creatures like werewolves roam free, she’s more than nervous, but agrees to go.
The moment Laikyn meets Jules, the tortured, gothic werewolf prince of the Violet Mountain pack, she feels a spark of desire almost instantly. She wants nothing more than to take away his pain, but refuses to act on her feelings.
She soon discovers the spark is more than just an attraction. That Jules is connected to her past and that she’s the very creature she fears and hates. Having no other choice, she stays in the Midnight Realm so Jules can help her rediscover her werewolf roots and figure out why she can’t remember her past.
But unlike Jules, not every werewolf wants Laikyn to remember. And she may be in danger from werewolves again.
Suggested reading age 18+
It’s 1950, and as the French Quarter of New Orleans simmers with secrets, seventeen-year-old Josie Moraine is silently stirring a pot of her own. Known among locals as the daughter of a brothel prostitute, Josie wants more out of life than the Big Easy has to offer. She devises a plan get out, but a mysterious death in the Quarter leaves Josie tangled in an investigation that will challenge her allegiance to her mother, her conscience, and Willie Woodley, the brusque madam on Conti Street.
Josie is caught between the dream of an elite college and a clandestine underworld. New Orleans lures her in her quest for truth, dangling temptation at every turn, and escalating to the ultimate test.
With characters as captivating as those in her internationally bestselling novel Between Shades of Gray, Ruta Sepetys skillfully creates a rich story of secrets, lies, and the haunting reminder that decisions can shape our destiny.
His name is carefully guarded from the general public but within the secretive inner circles of the ultra-rich Dr Alex Hoffmann is a legend - a visionary scientist whose computer software turns everything it touches into gold.
Together with his partner, an investment banker, Hoffmann has developed a revolutionary form of artificial intelligence that tracks human emotions, enabling it to predict movements in the financial markets with uncanny accuracy. His hedge fund, based in Geneva, makes billions.
But then in the early hours of the morning, while he lies asleep with his wife, a sinister intruder breaches the elaborate security of their lakeside house. So begins a waking nightmare of paranoia and violence as Hoffmann attempts, with increasing desperation, to discover who is trying to destroy him.
His quest forces him to confront the deepest questions of what it is to be human. By the time night falls over Geneva, the financial markets will be in turmoil and Hoffmann's world - and ours - transformed forever.
Blood Slave.
Captured, taken from her beloved family and woods, Aria’s biggest fear is not the imminent death facing her, but that she will be chosen as a blood slave for a member of the ruling vampire race. No matter what becomes of her though, Aria knows that she must keep her identity hidden from the monsters imprisoning her. She has already been branded a member of the rebellion, but the vampires do not know the true depth of her involvement with it, and they must never know.
Though hoping for death, Aria’s world is turned upside down when a vampire named Braith steps forward to claim her. He delays her execution, but Aria knows it’s only a matter of time before he drains her, and destroys her. Especially once she learns his true identity as a prince within the royal family; the same royal family that started the war that ultimately brought down humankind, reducing them to nothing more than servants and slaves.
Aria is determined to hate the prince, determined not to give into him in anyway, but his strange kindness, and surprising gentleness astonish her. Torn between her loyalties to the rebellion, and her growing love for her greatest enemy, Aria struggles to decide between everything she has ever known, and a love she never dreamed of finding.
A Boston teenager finds a dangerous new identity in this tale of mystery and intrigue by the author of The Face on the Milk Carton.
After her previous boring, small-town life on a farm, a seventeen-year-old finds the bustling city of Boston a fascinating, wondrous place—until she’s involved in a crime on the street . . . and loses her memory.
She has no pocketbook, no wallet—nothing to tell her who she is. And now, a total stranger in an expensive suit claims to be her father. He says her name is Hope and they live in a posh hotel. Suddenly, she has a trust fund and a family, including a cousin who acts as if they’ve known each other forever.
The only one who’s skeptical is gorgeous college student Mitch McKenna. And when his friend Susan is abducted, the chilling pieces start falling into place. Now a girl called Hope is the target of a dangerous international conspiracy. Pursued by ruthless criminals, she’ll be lucky if she escapes with her life.
Caroline B. Cooney, the bestselling author of the Janie Johnson series, ratchets up the suspense in this spellbinding story you’ll never forget.
This ebook features an illustrated biography of Caroline B. Cooney including rare images and never-before-seen documents from the author’s personal collection.
A collection of short stories by Herbert Beeman. Here is an exert, THE ADVENTURE OF THE STEVESTON CAR One evening early in the month of November, 1908, we were sitting in our cosy rooms in Butcher Street. I was busy extending the notes I had made of some of the marvellous doings of the Great Detective, when Keys stretched his long arms towards the gramophone to start the gentleman who was "afraid to go home in the dark, off on another long explanation of his reasons, but I stopped him with a question even friendship has its limits, you know
In this mystery novella, pianist Jeremy West comes across a nineteenth-century music manuscript that he believes to be a newly discovered symphony by Beethoven. But the manuscript is stolen and a murder is committed before Jeremy’s friends,David Currant and Elizabeth McDermitt,are able to unwind the many threads that are interwoven in this complex and surprising case.In this mystery novella, pianist Jeremy West comes across a nineteenth-century music manuscript in an old London book shop. He becomes convinced that the manuscript is a newly discovered symphony by Beethoven and worth a fortune. But part of the manuscript is stolen and he enlists the aid of two musician friends, David Currant and Elizabeth McDermitt, to help him try to get the missing pages back. But things quickly get more complicated as Jeremy’s girlfriend is assaulted and a man is murdered before David and Elizabeth are able to unwind the many threads that are interwoven in this complex and surprising case.
As secrets come to light at the abandoned manor house Pembrooke Park, will Abigail find the hidden treasure and love she seeks...or very real danger?
