This prodigiously rich collection suggests that Raymond Carver was not only America’s finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver’s stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy. This complete edition brings together all the poems of Carver’s five previous books, from Fires to the posthumously published No Heroics, Please.  It also contains bibliographical and textual notes on individual poems; a chronology of Carver’s life and work; and a moving introduction by Carver’s widow, the poet Tess Gallagher. From the Trade Paperback edition.

From one of our most celebrated masters, a touching, comic, deeply humane collection of linked stories about surprising developments in a gated community “I find myself inclined to set down for whomever, before my memory goes kaput altogether, some account of our little community, in particular of what Margie and I consider to have been its most interesting hour: the summer of the Peeping Tom.” Something has disturbed the comfortably retired denizens of a pristine Florida-style gated community in Chesapeake Bay country. In the dawn of the new millennium and the evening of their lives, these empty nesters discover that their tidy enclave can be as colorful, shocking, and surreal as any of John Barth’s fictional locales. From the high jinks of a toga party to marital infidelities, a baffling suicide pact, and the sudden, apocalyptic destruction of the short-lived development, Barth brings mordant humor and compassion to the lives of characters we all know well. From “one of the most prodigally gifted comic novelists writing in English today” (Newsweek), The Development is John Barth at his most accessible and sympathetic best.

"I had everything I needed to run a household: a house, food, and a new family. From now on it would just be me and Sammy–the two of us, and no one else." A tragic accident has turned eleven-year-old Aubrey’s world upside down. Starting a new life all alone, Aubrey has everything she thinks she needs: SpaghettiOs and Sammy, her new pet fish. She cannot talk about what happened to her. Writing letters is the only thing that feels right to Aubrey, even if no one ever reads them. With the aid of her loving grandmother and new friends, Aubrey learns that she is not alone, and gradually, she finds the words to express feelings that once seemed impossible to describe. The healing powers of friendship, love, and memory help Aubrey take her first steps toward the future. Readers will care for Aubrey from page one and will watch her grow until the very end, when she has to make one of the biggest decisions of her life. Love, Aubrey is devastating, brave, honest, funny, and hopeful, and it introduces a remarkable new writer, Suzanne LaFleur. No matter how old you are, this book is not to be missed. From the Hardcover edition.

A SHORT Story Her middle name should've been MAYHEM. Trouble follows her wherever she goes. I just wanted to call her MINE. And I screwed that up years ago, But I'm back to make up for lost time, And missed chances. I just have to figure out how to make Maddie Cross want me, All over again. We should call ourselves a CLICHÉ. It was stupid and naive to fall for Luke Gunner. It was doomed before it even started. My brother's best friend. The steely-eyed bad boy. And I fell. So damn hard. Because that's what I do. I find the worst thing to do--and I do it. And now, he's back. And damn it, I want him, All over again.

The writing career of John Berger–poet, storyteller, playwright, and essayist–has yielded some of the most original and compelling examinations of art and life of the past half century. In this essential volume, Geoff Dyer has brought together a rich selection of many of Berger’s seminal essays. Berger’s insights make it impossible to look at a painting, watch a film, or even visit a zoo in quite the same way again. The vast range of subjects he addresses, the lean beauty of his prose, and the keenness of his anger against injustice move us to view the world with a new lens of awareness. Whether he is discussing the singleminded intensity of Picasso’s Guernica, the parallel violence and alienation in the art of Francis Bacon and Walt Disney, or the enigmatic silence of his own mother, what binds these pieces throughout is the depth and fury of Berger’s passion, challenging us to participate, to protest, and above all, to see. From the Trade Paperback edition.

This chilling novel from the bestselling, award-winning author of The Lake of Dead Languages blends the gothic allure of Daphne DuMaurier’s Rebecca and the crazed undertones of Charlotte Perkins Gilman’s The Yellow Wallpaper with the twisty, contemporary edge of A.S.A. Harrison’s The Silent Wife—a harrowing tale of psychological suspense set in New York’s Hudson Valley. When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation—of their marriage, their savings, and Jess's writing career. They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their twenties. It's been years, now, since his first novel. The advance has long been spent. Clare's hope is that the pastoral beauty and nostalgia of the Hudson Valley will offer some inspiration. But their new life isn't all quaint town libraries and fragrant apple orchards. There is a haunting pall that hangs over Riven House like a funeral veil. Something is just not right. Soon, Clare begins to hear babies crying at night, and sees strange figures in fog at the edge of their property. Diving into the history of the area, she realizes that Riven House has a dark and anguished past. And whatever this thing is—this menacing force that destroys the inhabitants of the estate—it seems to be after Clare next…

This book is one of the classic book of all time.

If you’ve ever used the phrase “rags to riches,” you owe that to Horatio Alger, Jr. (1832-1899), who popularized the idea through his fictional writings that also served as a theme for the way America viewed itself as a country. Alger’s works about poor boys rising to better living conditions through hard work, determination, courage, honesty, and morals was popular with both adults and younger readers. Alger’s writings happened to correspond with America’s Gilded Age, a time of increasing prosperity in a nation rebuilding from the Civil War. His lifelong theme of rags to riches continued to gain popularity but has gradually lessened since the 1920s. Still, readers today often come across Ragged Dick and stories like it in school.

An interesting and eclectic collection of personal stories and essays. Contains everything from a thought provoking tribute to Michael Jackson entitled "The King of Pop Meets the Prince of Peace," to the fictional story of Suzette, a woman who goes seeking an extramarital affair, and finds herself instead. The stories are introspective and provocative, engaging and inspirational - a good read!What You Feel is What You Get is a collection of lectures by Ilona Kolbe on spirit, life and the art of living. Entwined in short stories of her own life, Ilona suggests possible answers to those bigger questions we have about our purpose in life. This book talks to the mind and spirit and offers some practical perceptions to an impractical subject.

A coming of age tale about a girl who runs away from New York to live with a tribe of kids she meets on an island at the end of the world.After running from New York to get away from sadness that plagued the city in the years after the towers fell, and the callous nature of the people at Columbia who I thought were my friends, I found the bones for this novel in New Zealand. Shortly after arriving I fell in love with a circle of kids who were somewhere between studying and employment and had no career opportunities, no ambition, and yet were far happier than the depressed people I had met in New York who on the surface seemed to have everything. The contrast between New York and New Zealand fascinated me, and I swore that I would remain in New Zealand until I had pinned down the novel that I saw all friends running around in, inside my head. I like to think of it as a version of what might have happened if Daisy Buchanan grew some balls like Jack Kerouac, ran away to an island at the end of the world and then stumbled across Peter Pan. But the deeper she goes into this Alice in Wonderland-like experience, it starts to look more like Lord of the Flies than happiness. If these kids are so happy on this island, why do they have to take drugs every night? And what happens when you run out of places to run? The title came from the letters of Hunter S. Thompson. He mentions it in a couple of different contexts, but my favourite might be his disappointment upon visiting Ken Kesey in the forest to find him pre-occupied and distracted by the joys of acid, creating more masterpieces like One Flew Over The Cuckoo’s Next. At first I thought I was stealing it from him – but then his editor from Hells Angels told me once that he got it from F. Scott Fitzgerald. So there you go. There is nothing new under the sun, as Plato wrote, and he probably got it from someone else. While writing this I read A Midsummer Night's Dream a couple of times, and listened to The Wall by Pink Floyd a lot. I hope you enjoy it as much as I enjoyed writing it. It's finally finished.

Greg Mortenson has built a global reputation as a selfless humanitarian and children’s crusader, and he’s been nominated for the Nobel Peace Prize. He is also not what he appears to be. As acclaimed author Jon Krakauer discovered, Mortenson has not only fabricated substantial parts of his bestselling books Three Cups of Tea and Stones into Schools, but has also misused millions of dollars donated by unsuspecting admirers like Krakauer himself. This is the tragic tale of good intentions gone very wrong.

The only piece of information that Summer Davis takes away from her years at Peninsula Upper School -- one of the finest in the Brooklyn Heights-to-Park Slope radius, to quote the promotional materials -- is the concept that DNA defines who we are and forever ties us to our relatives. A loner by circumstance, a social outcast by nature, and a witty and warm narrator of her own unimaginable chaos by happenstance, Summer hangs on to her interest in genetics like a life raft, in an adolescence marked by absence: her beautiful, aloof mother abandons the family without a trace; her father descends into mental illness, haunted by a lifelong burning secret and abetted by a series of letters that he writes to make sense of his feelings; her best friend Claire drifts out of Summer's life in a breeze of indifference, feigned on both sides; and her older brother fluctuates between irrational fury and unpredictable tenderness in an inaccessible world of his making. Uncertain of her path and unbalanced by conflicting impulses toward hope and escape, Summer stays close to her father while attending college, taking him to electro-shock therapy treatments and trying to make sense of his inscrutable past. Upon his departure for a new and possibly recovered life, Summer begins to question the role of genetics and whether she is destined to live out her family's legacy of despair. But it is only when Summer decides to leave New York herself and put off a promising science career to take care of her great-aunt Stella -- bedrock of the family and bastion of folksy wisdom, irreverent insight, and Sinatra memorabilia in a less-than-scenic part of the Pennsylvanian countryside -- that Summer begins to learn that her biography doesn't have to define her...and that her future, like her DNA, belongs to her alone. In a novel consumed by the uncertainties of science, the flaws of our parents, and enough loss and longing to line a highway, Sara Shepard is a penetrating chronicler of the adolescence we all carry into adulthood: how what happens to you as a kid never leaves you, how the fallibility of your parents can make you stronger, and how being right isn't as important as being wise. From the backwoods of Pennsylvania to the brownstones of Brooklyn Heights, The Visibles investigates the secrets of the past, and the hidden corners of our own hearts, to find out whether real happiness is a gift or a choice.

Winner of the National Book Critics Circle Award. New Directions is excited to reissue the Gardner classics, beginning with October Light, a complex relationship rendered in a down-to-earth narrative. October Light is one of John Gardner's masterworks. The penniless widow of a once-wealthy dentist, Sally Abbot now lives in the Vermont farmhouse of her older brother, 72-year-old James Page. Polar opposites in nearly every way, their clash of values turns a bitter corner when the exacting and resolute James takes a shotgun to his sister's color television set. After he locks Sally up in her room with the trashy blockbuster novel that has consumed her (and only apples to eat), the novel-within-the-novel becomes an echo chamber providing glimpses into the history of the family that spawned these bizarre, sad, and stubborn people. Gardner uses the turbulent siblings as a stepping-off point from which he expands upon the lives of their extended families, and the rural community that surrounds them. He also engages larger issues of how liberals and conservatives define themselves, and considers those moments when life transcends all their arguments.

JPod, Douglas Coupland's most acclaimed novel to date, is a lethal joyride into today's new breed of tech worker. Ethan Jarlewski and five co-workers whose surnames begin with "J" are bureaucratically marooned in jPod, a no-escape architectural limbo on the fringes of a massive Vancouver game design company. The jPodders wage daily battle against the demands of a boneheaded marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan's personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod's universe is amoral, shameless, and dizzyingly fast-paced like our own. Praise for JPod: "JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away."-New York Times Book Review"It's to [Coupland's] credit that in JPod he's still nimble enough to take the post-modern man-too young for Boomer nostalgia and too old for youthful idealism-and drown his sorrows in a willful, joyful satire that revels in the same cultural conventions that it sends up."-Rocky Mountain News "It's time to admire [Coupland's] virtuoso tone and how he has refined it over 11 novels. The master ironist just might redefine E. M. Forster's famous dictate 'Only connect' for the Google age."-USA Today "Zeitgeist surfer Douglas Coupland downloads his brain into JPod."-Vanity Fair