From the poet-authors H.B. Barstrum and Roman O’Rhory, comes the fourth and final book of their haiku anthology series titled Simple Truths About Women and Men. Along with a variety of colorful photographs accompanying these haiku poems, you will laugh while being entertained with basic truths about guys and girls.Simple Truths About Women and Men: Haiku Poetry Collection Book #4From the poet-authors H.B. Barstrum and Roman O’Rhory, comes the fourth and final book of their haiku anthology series titled Simple Truths About Women and Men.This haiku handbook offers relevant and light-hearted observations and advice about the opposing genders in a fun and quick 17 syllables format. Along with a variety of colorful photographs accompanying these haiku poems, you will laugh while being entertained with basic truths about guys and girls.From titles such as Look Good And Speak Kind, Ode To A Rough Draft, Appearances, Clean Up Duty, Value Him and Ladies Who Speak Plainly, be prepared to learn the little and big secrets about the sexes and share them with your family and friends.Check out some haiku writing examples below:Look Good And Speak KindBy: H.B. BarstrumWomen like what theyHear. Men like what they see. SoLook good and speak kind.Ode To A Rough DraftBy: Roman O’RhoryAll great works of artStart with a rough draft. Thank GodFor making men first.Ingredients To Conquer The WorldBy: H.B. BarstrumAll a girl needs isA good pair of shoes and smileTo conquer the world.Girls Are SupernaturalBy: Roman O’RhoryWe can bleed for daysAnd not miss a beat. Girls areSupernatural.He’s Not That Into You (2014)By: Roman O’RhoryIf you haven't metA man's family or friends,You're not his girlfriend.A Man’s SilenceBy: Roman O’RhoryWhen a man's quiet,He is ignoring you or Planning his escape.The Guy CodeBy: Roman O’RhoryNever take a man’sLast beer or date his sister.It’s against guy code.Ladies Who Speak PlainlyBy: H.B. BarstrumGuys appreciateA woman who speaks plainlyTo them; not in code.

Cletus Rossiter is concerned about his sleep apnea and records himself while sleeping, but gets far more than he bargained for when strange voices show up in the recordings, including his own voice speaking German, a language he doesn’t know. Is he dreaming or is he is dealing with ghosts from the historic past?In “Conversations with Clete,” Cletus Rossiter, a man in his mid-sixties, is concerned about his snoring and sleep apnea, and records himself while sleeping in order to find out how bad his apnea is. But he gets far more than he bargained for when strange voices show up in the recordings and he even hears himself speaking German, a language he doesn’t know. He encounters Kruger, a Nazi soldier; Zeralda, a widow from the 1880s, and a club boxer, Kid Pierpont. Clete is left to wonder if these are dreams or if he is dealing with ghosts from the historic past?

A captivating tale of suffering, seeking, and redemption set in Appalachia in the 1850s, "The Last Sin Eater" is the story of a community committed to its myth of a human "sin eater," who absolves the dead of their sins, and the ten-year-old child who shows them the Truth. All that matters for young Cadi Forbes is finding the one man who can set her free from the sin that plagues her, the sin that has stolen her mother's love from her and made her wish she could flee life and its terrible injustice. But Cadi doesn't know that the "sin eater" is seeking as well. Before their journeys are over, Cadi and the sin eater must face themselves, each other, and the One who will demand everything from them in exchange for the answers they seek.

'Washington Square is perhaps the only novel in which a man has successfully invaded the feminine field and produced work comparable to Jane Austen's,' said Graham Greene. Inspired by a story Henry James heard at a dinner party, Washington Square tells how the rakish but idle Morris Townsend tries to win the heart of heiress Catherine Sloper against the objections of her father. Precise and understated, the book endures as a matchless social study of New York in the mid-nineteenth century. 'Washington Square has long been beloved by almost all readers,' noted Louis Auchincloss. 'The chief beauty of the novel lies in its expression--by background, characterization, and dialogue--of its mild heroine's mood of long-suffering patience. Everything is ordered, polite, still: the charming old square in the pre-brownstone city, the small, innocent, decorous social gatherings, the formal good manners, the quaint reasonableness of the dialogues. . . . James was the poet of cities: New York in Washington Square.' Clifton Fadiman agreed: 'It has extraordinary charm, deriving from an almost Mozartian combination of sweetness and depth.'

Set in post-apartheid South Africa, J. M. Coetzee’s searing novel tells the story of David Lurie, a twice divorced, 52-year-old professor of communications and Romantic Poetry at Cape Technical University. Lurie believes he has created a comfortable, if somewhat passionless, life for himself. He lives within his financial and emotional means. Though his position at the university has been reduced, he teaches his classes dutifully; and while age has diminished his attractiveness, weekly visits to a prostitute satisfy his sexual needs. He considers himself happy. But when Lurie seduces one of his students, he sets in motion a chain of events that will shatter his complacency and leave him utterly disgraced.

Zoe's arms prickle. She turns, trying to take it all in. The ache inside returns. It is not for her. It is too much. A real room with real floors and walls. A room for sleeping, and reading and dancing and . . . in her imagination she has pictured the room, but she has never pictured herself in it. Can seventeen-year-old Zoe make it on her own? A room is not much. It is not arms holding you. Not a kiss on the forehead. Not a packed lunch or a remembered birthday. Just a room. But for seventeen-year-old Zoe, struggling to shed the suffocating responsibility of her alcoholic mother and the controlling guilt of her grandmother, a rented room on Lorelei Street is a fierce grab for control of her own future. Zoe rents a small room from Opal Keats, an eccentric old lady who has a difficult past of her own, but who chooses to live in the possibility of the future. Zoe tries to find that same possibility in her own future, promising that she will never go crawling back. But with all odds against her, can a seventeen-year-old who only slings hash to make ends meet make it on her own? Zoe struggles with this worry and the guilt of abandoning her mother as she goes to lengths that even she never dreamed she would in order to keep the room on Lorelei Street.

“I have been unfaithful to my husband.” Marta Oulie’s opening line scandalized Norwegian readers in 1907. And yet, Sigrid Undset had a gift for depicting modern women “sympathetically but with merciless truthfulness,” as the Swedish Academy noted in awarding her the Nobel Prize for Literature in 1928. At the time she was one of the youngest recipients and only the third woman so honored. It was Undset’s honest story of a young woman’s love life—“the immoral kind,” as she herself bluntly put it—that made her first novel an instant sensation in Norway. Marta Oulie, written in the form of a diary, intimately documents the inner life of a young woman disappointed and constrained by the conventions of marriage as she longs for an all-consuming passion. Set in Kristiania (now Oslo) at the beginning of the twentieth century, Undset’s book is an incomparable psychological portrait of a woman whose destiny is defined by the changing mores of her day—as she descends, inevitably, into an ever-darker reckoning. Remarkably, though Undset’s other works have attracted generations of readers, Marta Oulie has never before appeared in English translation. Tiina Nunnally, whose award-winning translation of Undset’s Kristin Lavransdatter captured the author’s beautifully clear style, conveys the voice of Marta Oulie with all the stark poignancy of the original Norwegian.

Bernard Cornwell’s bestselling Grail Quest Trilogy in one complete eBook for the first time. Follow the famed archer Thomas of Hookton as he avenges his father’s death and retrieves a stolen relic. HARLEQUIN 1342. The English, led by Edward III, are laying waste to the French countryside. The archers, the common men, are England’s secret weapon. The French know them as Harlequins. Thomas Hookton is one of these archers. But he is also on a personal mission: to avenge his father’s death and retrieve a stolen relic. Thomas begins a quest that will lead him to finally where the two armies face each other at Crecy. VAGABOND 1346. England lies exposed to the threat of invasion. Thomas of Hookton finds himself back in the north as the Scots invade on behalf of the French. He is determined to pursue his quest: to discover whether a relic he is searching for is the Holy Grail. HERETIC The Hundred Years War has been suspended. The truce release Thomas of Hookton to pursue his arch enemy and resume his quest for the prized relic: the Holy Grail. But fate strikes and the plague grips hold. And the Holy Grail is needed more than ever as a sign of God’s favour.

Jetting to Martinique for a modeling assignment with three of Europe’s hottest magazine photographers—Gustave, Fabian, and Leon—should’ve been easy, breezy beautiful. Never did I expect to look up and see a hole in the ceiling of our plane that was bigger in size than my Birkin bag. Shit! We’re nose-diving toward Eden Island. I pictured how my New York Times obituary might read when I’m gone, “Taddy Brill, Manhattanite, dethroned descendant of the Austrian House of Brillford royalty, dies at age eighteen, penniless, unloved, and a virgin.” I swear this crap only happens to me. Suddenly, Leon pulls me with Fabian and Gustave. Adrenaline racing through me, our bodies clung as one. We prepared to…crash. The Undergrad Years is a New Adult contemporary miniseries about first loves, independence, and everlasting friendships. Interact with Avery while reading this story on Instagram and Twitter @AveryAster using the hashtags #UndergradYears #NewAdult. Swag and reader contests can be found on Avery’s blog at: AveryAster.com Reader warning: This novel is about a girl who likes a boy who likes boys and is intended for 18+

*Fisher, I guess this is it, huh? After fourteen years together, starting a life of our own on this island, five deployments and countless letters I’ve written you through it all, I finally go out to the mailbox and see something I’ve always dreamed of: an envelope with your handwriting on it. For one moment, I actually thought you’d changed your mind, that all the awful things you said to me were just your way of coping after everything you’d been through. I was still here, Fisher. I was still here, holding my breath, waiting for you to come back even though you told me you never would. You always said you’d find your way back to me. Out of all the lies you’ve told me, this one hurts the most. Enclosed you will find the signed divorce papers, as requested. I hope you find what you’re looking for. I’m sorry it wasn’t me. Lucy* To get the ending they want, Lucy and Fisher will have to go back to the beginning. Through the good and the bad, they’ll be reminded of why they always made their way back to each other, and why this time, one way or another, it will be the last time.

World War I stands as one of history's most senseless spasms of carnage, defying rational explanation. In a riveting, suspenseful narrative with haunting echoes for our own time, Adam Hochschild brings it to life as never before. He focuses on the long-ignored moral drama of the war's critics, alongside its generals and heroes. Thrown in jail for their opposition to the war were Britain's leading investigative journalist, a future winner of the Nobel Prize for Literature, and an editor who, behind bars, published a newspaper for his fellow inmates on toilet paper. These critics were sometimes intimately connected to their enemy hawks: one of Britain's most prominent women pacifist campaigners had a brother who was commander in chief on the Western Front. Two well-known sisters split so bitterly over the war that they ended up publishing newspapers that attacked each other. Today, hundreds of military cemeteries spread across the fields of northern France and Belgium contain the bodies of millions of men who died in the war to end all wars. Can we ever avoid repeating history?

This new collection by the acclaimed novelist—and, according to Salon, “the best wine writer in America”—is generous and far-reaching, deeply knowledgeable and often hilarious.              For more than a decade, Jay McInerney’s vinous essays, now featured in The Wall Street Journal, have been praised by restaurateurs (“Filled with small courses and surprising and exotic flavors, educational and delicious at the same time” —Mario Batali), by esteemed critics (“Brilliant, witty, comical, and often shamelessly candid and provocative” —Robert M. Parker Jr.), and by the media (“His wine judgments are sound, his anecdotes witty, and his literary references impeccable” —The New York Times).             Here McInerney provides a master class in the almost infinite varieties of wine and the people and places that produce it all the world over, from the historic past to the often confusing present. From such legendary châteaus as Margaux and Latour and Palmer to Australia and New Zealand and South Africa, to new contenders in Santa Rita Hills and Paso Robles, we learn about terroir  and biodynamic viticulture, what Champagnes are affordable (or decidedly not), even what to drink over thirty-seven courses at Ferran Adrià's El Bulli—in all, an array of grapes and wine styles that is comprehensive and thirst inducing. And conspicuous throughout is McInerney’s trademark flair and expertise, which in 2006 prompted the James Beard Foundation to grant him the MFK Fisher Distinguished Writing Award.

After Diego lands himself on probation for fighting, he doesn’t trust his probation officer, Mr. Vidas. But as he begins to open up, Diego realizes that he needs Mr. Vidas’s help to get his anger under control. To do that, Diego will need to face the nightmares from his past head-on and confront the memories he’s been avoiding. Will anyone even believe him if he tells the truth about his stepfather? Award-winning author Alex Sanchez writes about a teen’s very real struggle to overcome his anger and take control of his life.

Robert has never had a dream before. On his 18th birthday everything changes and he starts to dream. Because this is an unusual experience for him, he decides to have a dream-diary. Soon after that, he realizes that his dreams are directly connected to his real life. Suddenly, he finds himself living two lives…yet he only has one simple diary.Abby refuses to marry the monster to whom she is betrothed. As she flees, she meets a mysterious stranger at a wayside inn. His startling proposition will either save her, or leave her mired in scandal.