Psychiatrist Andrew Marlow, devoted to his profession and the painting hobby he loves, has a solitary but ordered life. When renowned painter Robert Oliver attacks a canvas in the National Gallery of Art and becomes his patient, Marlow finds that order destroyed. Desperate to understand the secret that torments the genius, he embarks on a journey that leads him into the lives of the women closest to Oliver and a tragedy at the heart of French Impressionism. Kostova's masterful new novel travels from American cities to the coast of Normandy, from the late 19th century to the late 20th, from young love to last love. THE SWAN THIEVES is a story of obsession, history's losses, and the power of art to preserve human hope.

“Magical prose stylist” Michael Chabon (Michiko Kakutani, New York Times) delivers a collection of essays—heartfelt, humorous, insightful, wise—on the meaning of fatherhood. For the September 2016 issue of GQ, Michael Chabon wrote a piece about accompanying his son Abraham Chabon, then thirteen, to Paris Men’s Fashion Week. Possessed with a precocious sense of style, Abe was in his element chatting with designers he idolized and turning a critical eye to the freshest runway looks of the season; Chabon Sr., whose interest in clothing stops at “thrift-shopping for vintage western shirts or Hermès neckties,” sat idly by, staving off yawns and fighting the impulse that the whole thing was a massive waste of time. Despite his own indifference, however, what gradually emerged as Chabon ferried his son to and from fashion shows was a deep respect for his son’s passion. The piece quickly became a viral sensation. With the GQ story as its centerpiece, and featuring six additional essays plus an introduction, Pops illuminates the meaning, magic, and mysteries of fatherhood as only Michael Chabon can.

Six Memos for the Millennium is a collection of five lectures Italo Calvino was about to deliver at the time of his death. Here is his legacy to us: the universal values he pinpoints become the watchwords for our appreciation of Calvino himself. What should be cherished in literature? Calvino devotes one lecture, or memo to the reader, to each of five indispensable qualities: lightness, quickness, exactitude, visibility, and multiplicity. A sixth lecture, on consistency, was never committed to paper, and we are left only to ponder the possibilities. With this book, he gives us the most eloquent defense of literature written in the twentieth century—a fitting gift for the next millennium. From the Trade Paperback edition.

From the beloved author of The House on Mango Street: a richly illustrated compilation of true stories and nonfiction pieces that, taken together, form a jigsaw autobiography: an intimate album of a literary legend's life and career. From the Chicago neighborhoods where she grew up and set her groundbreaking The House on Mango Street to her abode in Mexico, in a region where "my ancestors lived for centuries," the places Sandra Cisneros has lived have provided inspiration for her now-classic works of fiction and poetry. But a house of her own, where she could truly take root, has eluded her. With this collection--spanning nearly three decades, and including never-before-published work--Cisneros has come home at last. Ranging from the private (her parents' loving and tempestuous marriage) to the political (a rallying cry for one woman's liberty in Sarajevo) to the literary (a tribute to Marguerite Duras), and written with her trademark sensitivity and honesty, these poignant, unforgettable pieces give us not only her most transformative memories but also a revelation of her artistic and intellectual influences. Here is an exuberant, deeply moving celebration of a life in writing lived to the fullest--an important milestone in a storied career.

She had survived, but she is still held captive… Of her memories, her loneliness, her delusions. But are they truly delusions? The survivor of a college dorm massacre, a woman accused of her lover’s murder, Madeline Hewitson is haunted by ghosts and tormented by a killer only she can see. At night, she works, writing and drawing the monster that slithers through her imagination, and living in fear of those moments when the doors of her mind unhinge and her nightmare lives in the daylight. A seasoned military veteran, Jacob Denisov lives alone in his small, darkened home, sleepless, starving, and angry. Every day he lives with the guilt that comes from his own failures and the carnage that followed. When neighbor Madeline Hewitson drives her car through the front wall of his house, she breaks his house—and his life—wide open. Forced to view the world outside, Jacob watches Maddie, recognizes a kindred spirit and wonders what she fears more than herself. Has someone caught her in a twisted labyrinth of revenge and compassion, guilt and redemption, murder and madness? When Maddie's imaginary killer takes form, she fights back. But will she be strong enough to triumph, or is the killer she fears no more than a shadow, an illusion…that watches?

This is the story of a place that never was: the kingdom of Prester John, the utopia described by an anonymous, twelfth-century document which captured the imagination of the medieval world and drove hundreds of lost souls to seek out its secrets, inspiring explorers, missionaries, and kings for centuries. But what if it were all true? What if there was such a place, and a poor, broken priest once stumbled past its borders, discovering, not a Christian paradise, but a country where everything is possible, immortality is easily had, and the Western world is nothing but a dim and distant dream? Brother Hiob of Luzerne, on missionary work in the Himalayan wilderness on the eve of the eighteenth century, discovers a village guarding a miraculous tree whose branches sprout books instead of fruit. These strange books chronicle the history of the kingdom of Prester John, and Hiob becomes obsessed with the tales they tell. The Habitation of the Blessed recounts the fragmented narratives found within these living volumes, revealing the life of a priest named John, and his rise to power in this country of impossible richness. John's tale weaves together with the confessions of his wife Hagia, a blemmye--a headless creature who carried her face on her chest--as well as the tender, jeweled nursery stories of Imtithal, nanny to the royal family.

Clad ln a doeskin, alone and unafraid, she stood straight and proud before the onrushlng Forces of America’s destiny: Sacajawea. child of a Shoshoni chief, lone woman on Lewis and Clark‘s historic trek-beautiful spear of a dying nation. She knew many men, walked many miles. From the whispering prairies, across the Great Divide to the crystal-capped Rockies and on to the emerald promise of the Pacific Northwest, her story overflows with emotion and action ripped from the bursting fabric of a raw new land. Ten years In the Writing, SACAJAWEA unfolds an immense canvas of people and events, and captures the eternal longings of a woman who always yearned for one great passion-and always it lay beyond the next mountain.

Douglas Aspine knew that being CEO of a public company was twenty times more lucrative than winning the lottery. He was forty-five and time was running out when fate dealt him an unexpected opportunity. The company was old, staid and well-respected but it was under performing and Aspine was determined to turn it around *no matter who he had to crush. * Soon he was at war with the company's employees, unions, suppliers, financiers and co-directors * but nothing was going to stop him. * Not his chairman, not his wife, not his mistress, not the anonymous death threats and definitely not the press. Aspine could almost taste the glory, the riches and peer recognition he'd craved for so long. He knew he had countless detractors and enemies who he contemptuously labelled "losers"and paid no heed to. Would this prove to be a miscalculation of monumental proportions or would he prevail?

If any writer can be said to have invented the modern short story, it is Anton Chekhov. It is not just that Chekhov democratized this art form; more than that, he changed the thrust of short fiction from relating to revealing. And what marvelous and unbearable things are revealed in these Forty Stories. The abashed happiness of a woman in the presence of the husband who abandoned her years before. The obsequious terror of the official who accidentally sneezes on a general. The poignant astonishment of an aging Don Juan overtaken by love. Spanning the entirety of Chekhov's career and including such masterpieces as "Surgery," "The Huntsman," "Anyuta," "Sleepyhead," "The Lady With the Pet Dog," and "The Bishop," this collection manages to be amusing, dazzling, and supremely moving—often within a single page.

Can Kink heal a Broken Heart? Detective Andi Sugarbaker is going to find out…the hard way. Searching for the source of the deadly new date rape drug, Please, Andi and her partner, Viktor Saltanov, must go undercover at the infamous Age Play resort, called simply The Institute. Here at The Institute, time is rolled back and Andi finds herself forced to relive painful trauma from her past in order to pursue her case. Meanwhile, her partner is showing a whole new side of himself that Andi never dreamed existed. Born and bred in Mother Russia, Viktor Saltanov is 6’5, muscular, and as stoic as they come. But now he has become Andi’s sole support, protector…and disciplinarian. Letting her partner spank her and touch her in ways she never dreamed of is slowly breaking down Andi’s defenses, taking her to a vulnerable place inside she’s been trying to suppress for years. Can the two of them navigate the traitorous maze of lies and deception and find a deeper truth about themselves? Or will their experience at The Institute destroy their relationship forever?

A collection of short sketches and one-act plays. The subjects vary - a son leaving home, a sense of menace in a rural scene, the mystery of a cruise passenger's identity, consequences of accidents, matrimonial complications, unscrupulous journalistic malpractice, a fatal jealousy - but the tone is mostly light-hearted and conflict usually ends in reconciliation.CONTENTSBRIEF SKETCHES (written for specific occasions).Independence Day (mini-drama; 2m, 1f; 10 minutes)A teenage son is at the stage of leaving home, but his parents too find advantages in independence.Perils of Travel (conversation piece; 2f; 10 minutes). Two young professional women, awaiting a flight to a meeting, discuss a missing passenger, security issues, and why not to travel in a business suit.Crash (mini-drama; 2f; 8 minutes). A teenage girl, who may or may not be dreaming, is visited by a friend who may or may not have stolen the first's boy-friend, and has been involved in a horrendous road accident.Inn Memory (mini-drama; 2f; 8 minutes). Why is the visitor alarmed by a completely peaceful rural scene?ONE-ACT (mostly of competition length)Good Intentions (comedy; 3m, 3f; 50 minutes). George means well but lacks won't-power, and events conspire against his good intentions. Fortunately he is shunted off the road so paved before reaching its proverbial destination. Danube Moon (comedy; 2m, 2f; 30 minutes)A disagreeable divorcee unexpectedly encounters her ex-husband on a river cruise, and quite against her intentions helps him out of a desperate situation.Whitefly (drama; 2m, 3f, 1 either; 40 minutes) An unscrupulous journalist causes disaster to a small community in her determination not to let the truth get in the way of a good story about a local project.Nemesis (dark-grey comedy; 1m, 2f; 30 minutes)"Hell is other people" said Sartre, but Alan, his wife and mistress find otherwise; and who has murdered whom, or doesn't it matter?Coincidence (comedy; 3m, 3f; 30 minutes)A series of outrageous coincidences reunites several old acquaintances.Green Eyes (drama; 3m, 2f; 45 minutes)Sally and Kevin are keen environmentalists. Kevin becomes unreasonably jealous of Sally's contacts with a specialist she has interviewed for the local newspaper and accidentally causes his death, with subsequent agonies of remorse. This drives them apart until his subsequent conduct enables him to forgive himself.Fish out of Water (comedy mystery; 8m, 17f, 1 m or f; 60 minutes. Written for a large group of mixed ability.)Among a mixed bunch of passengers on a river cruise, one is the object of particular interest for several others on covert business, but insists that he is not who they think; or is he? Waiting (drama; 10m, 10f; 45 minutes. Again written for a specific group.)A busload of passengers is left stranded and wondering why; the reason proves more drastic than they could have imagined, but to resolve some old problems.

Kate Appleton needs a job. Her husband has left her, she’s been fired as a magazine editor, and she only wants to go to her parents’ summer house, The Nutshell, in Keene’s Harbor, Michigan, and make a Bed and Breakfast inn. Matt Culhane needs a spy in his brewery for a saboteur, and Kate is new in town. But Kate despises beer and nobody trusts her.

Brilliant swordsman and heroic in stature, young Jeremy has only one weakness as he faces his greatest challenge. He is a coward.Terrorists target an interplanetary freighter, aiming to create an atrocity large enough to reignite a bloody war between Mars and Earth. The only thing standing in their way: A token pilot pulled out of retirement simply to satisfy safety regulations. But old pilots didn't get that way by trusting machinery, particularly when they were trained during wartime. They have no idea how far this old pilot will go to prevent his children's lives from being shattered by the same war that consumed his own generation. (Short Story: 5000 Words)

egon yes stars as egon no in this cross-genre poem-story mashup.We asked some of Australia's top fantasy and science fiction authors to select two of their stories tied together by a single theme and to write an introduction on how they had explored that theme — to give some insight into their writing and how they see the big issues. We also paired the writers with Australia's top SF artists, so that each publication also showcases the illustrator. Then we released the publications in pairs. The result is the Aurealis Duos series.In "Terrorism", Jack Dann, an expat New Yorker and multi-award winning SF author who eats Vegemite with an American accent says, "I didn't feel patriotic the morning that the towers fell... I just felt that someone had burned down my house... the only way I could get my arms around the subject was to write about... us. No treatise on terrorism and suicide bombing here, just two stories that are set on the other side of the looking glass."

BUS STOP HAIKU features Brian Robertson's [popular urban haiku -- as well as an excerpt from his helpful workshop on writing haiku. Together, they form a look into Robertson's habit of "poem catching" in the streets of his native Houston as well as Austin, Dallas and other urban centers. As of April 27, 2015, the book is available at no cost.BUS STOP HAIKU features Brian Robertson's newest urban haiku -- as well as an excerpt from his helpful workshop on writing haiku. Together, they form a look into Robertson's habit of "poem catching" in the streets of his native Houston as well as Austin, Dallas and other urban centers. The author of Little Blues Book with illustrations by R. Crumb, Robertson approaches the haiku form much as he did with his Street Photography -- capturing moments with depth, sensitivity and humor. As he writes, "Haiku uses words to get beyond words to what is underneath the words."These 100+ haiku celebrate people, nature and moments in an interdependent world through the lens of haiku. His view records things such as “sparse yellow flowers/ in front of the liquor store/ frankly, do their best” to fractures in the city landscape, as in “flag of surrender/ white sheet across the windshield/ – driver shot himself”The haiku reflect Buddhist monasteries and temples as well as humor in the bars where he has played the blues for 30 years – “play loud as you want/ the beer is free/ – my drummer swoons”