Third generation Texas Ranger Tyler Steele is the last of a dying breed-- a modern day cowboy hero living in a world that doesn't quite understand his powerful sense of right and wrong and instinct to defend those who can't defend themselves. Despite his strong moral compass, Ty has trouble seeing his greatest weakness. His hard outer shell, the one essential to his work, made him incapable of forging the emotional connection his wife Andie so desperately needed. Now retired, rasing their son Brodie on his own, and at risk of losing his ranch, Ty does not know how to rebuild from the rubble of his life. The answer comes in the form of Samantha and her daughter Hope, on the run from a seemingly inescapable situation. They are in danger, desperate, and alone. Though they are strangers, Ty knows he can help-- protecting the innocent is what he does best. As his relationship with Sam and Hope unfolds, Ty realizes he must confront his true weaknesses if he wants to become the man he needs to be.

There is an alternate cover edition for this ASIN here. Layney Logan, girl reporter. That's all she's ever wanted to be. This year, her senior year, not only does she have to share the coveted Senior Editor position with her arch nemesis, Jimmy Foster, she also has to figure out how to keep the school paper alive. With the local paper closing and the school cutting Journalism from the budget, it's a long shot. Working side-by-side with Foster, the guy she likes to call Lucifer, makes it even worse. The only thing Layney dislikes more than swimming in the high school dating pool is Jimmy Foster thinking he got the best of her, so she takes his ridiculous newspaper assignment--to go on twelve blind dates--to prove his powers of darkness won't work on her. The trouble is, the more she learns about herself on her journey of bad blind dates, the more she wonders if maybe Foster has known her better than she knows herself all this time. And maybe she should have trusted him with the secret she’s kept for four years—the secret that broke them up to begin with.

I’m failing. My younger brother is getting worse, and my job - my duty - is to help him at all costs. We’ve tried everything modern medicine has to offer and nothing works. Nothing. Deciding to turn to unconventional treatments, we end up at Fire-on-the-Mountain, a holistic resort deep in the Rockies. In our search for medical marijuana, I find beautiful, free-spirited Hudson Shavell - a girl who may not only hold the key to heal my brother, but to fix me as well. Even though I can’t afford distractions right now, she’s all I can think about. All that I want. It’s funny how everything can change with one little SPARK. Though Spark is the first book in the Fire on the Mountain Series, it is a stand alone novel

This “dazzling” National Book Award finalist set aboard an ocean liner in 1931 reflects the passions and prejudices that sparked World War II (San Francisco Chronicle). August 1931. An ocean liner bound for Germany sets out from the Mexican port city of Veracruz. The ship’s first-class passengers include an idealistic young American painter and her lover; a Spanish dance troupe with a sideline in larceny; an elderly German couple and their fat, seasick bulldog; and a boisterous band of Cuban medical students. As the Vera journeys across the Atlantic, the incidents and intrigues of several dozen passengers and crew members come into razor-sharp focus. The result is a richly drawn portrait of the human condition in all its complexity and a mesmerizing snapshot of a world drifting toward disaster. Written over a span of twenty years and based on the diary Katherine Anne Porter kept during a similar ocean voyage, Ship of Fools was the bestselling novel of 1962 and the inspiration for an Academy Award–winning film starring Vivien Leigh. It is a masterpiece of American literature as captivating today as when it was first published more than a half century ago. This ebook features an illustrated biography of Katherine Anne Porter, including rare photos from the University of Maryland Libraries.

Chosen as one of the New York Times’s ten best books in the year of its original publication, this collection immediately won a cherished place among lovers of the tale and vaulted Calvino into the ranks of the great folklorists. Introduction by the Author; illustrations. Translated by George Martin. A Helen and Kurt Wolff Book

A post-apocalyptic romance thriller. Riley leaves the safety of The Perimeter to hunt her sister's killer across a ravaged and unrecognisable Britain. But she's not prepared for what lies outside.

Nobel laureate John Steinbeck's bracing from-the-frontlines account of World War II-now with a new cover and introduction In 1943 John Steinbeck was on assignment for The New York Herald Tribune, writing from Italy and North Africa, and from England in the midst of the London blitz. In his dispatches he focuses on the human-scale effect of the war, portraying everyone from the guys in a bomber crew to Bob Hope on his USO tour and even fighting alongside soldiers behind enemy lines. Taken together, these writings create an indelible portrait of life in wartime.

Tristessa is the name with which Kerouac baptized Esperanza Villanueva, a Catholic Mexican young woman, a prostitute and addict to certain drugs, whom he fell in love with during one of his stays in Mexico -a country that he frequently visited - by the middle of the fifties. Wrapped in a spiritual atmosphere that expresses the yearnings of Kerouac to find himself, "Tristessa", translated by Jorge García- Robles, a specialist in the beat generation, is the story of the strange loving relationship that the author had with Esperanza, as well as the significant description of the atmosphere that surrounded it, which depicts some key places of Mexico City back then.Hero of the beat generation, the creator of a model of life that would be followed by thousands of young people in the entire world, a sui generis mystic, "Tristessa", which until recently was not known in Spanish and that was published in English, is one of his fresher and better achieved works. Tristessa es el nombre con el que Kerouac bautizó a Esperanza Villanueva, una joven mexicana católica, prostituta y adicta a ciertas drogas, de quien se enamoró durante una de sus estancias en México, país que visitaba con frecuencia, a mediados de los años cincuenta. Tristessa, en la traducción de Jorge García- Robles, especialista en la generación beat, es el relato de la extraña relación amorosa que tuvo con Esperanza, así como la significativa descripción del ambiente que la rodeaba, en la que aparecen retratos de algunos lugares clave de la Ciudad de México: Plaza Garibaldi, Niño Perdido, la colonia Roma. Escritor «al rojo vivo», como lo calificó Henry Miller, héroe de la generación beat, creador de un modelo de vida que seguirían miles de jóvenes en todo el mundo, místico sui géneris, Tristessa, que hasta hace poco no se conocía en español y que se publicó en inglés apenas hace diez años, es una de sus obras más frescas y mejor logradas.

As this concluding volume of his moving and revealing memoirs begins, Elie Wiesel is forty years old, a writer of international repute. Determined to speak out more actively for both Holocaust survivors and the disenfranchised everywhere, he sets himself a challenge: "I will become militant. I will teach, share, bear witness. I will reveal and try to mitigate the victims' solitude." He makes words his weapon, and in these pages we relive with him his unstinting battles. We see him meet with world leaders and travel to regions ruled by war, dictatorship, racism, and exclusion in order to engage the most pressing issues of the day. We see him in the Soviet Union defending persecuted Jews and dissidents; in South Africa battling apartheid and supporting Mandela's ascension; in Cambodia and in Bosnia, calling on the world to face the atrocities; in refugee camps in Albania and Macedonia as an emissary for President Clinton. He chastises Ronald Reagan for his visit to the German military cemetery at Bitburg. He supports Lech Walesa but challenges some of his views. He confronts Francois Mitterrand over the misrepresentation of his activities in Vichy France. He does battle with Holocaust deniers. He joins tens of thousands of young Austrians demonstrating against renascent fascism in their country. He receives the Nobel Peace Prize. Through it all, Wiesel remains deeply involved with his beloved Israel, its leaders and its people, and laments its internal conflicts. He recounts the behind-the-scenes events that led to the establishment of the Holocaust Museum in Washington, D.C. He shares the feelings evoked by his return to Auschwitz, by his recollections of Yitzhak Rabin, and by his memories of his own vanished family. This is the magnificent finale of a historic memoir. From the Trade Paperback edition.

They are two sworn enemies with a single obsession: a woman on the run from them both. Scott Weiss is a private detective. John Foy is a profes­sional killer. The woman is Julie Wyant, a hooker with the face of an angel. Julie spent one night with Foy—a night of psycho­pathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back. There’s only one man who can find her: Weiss, the best locate operative in the business. She’s begged him not to look for her, fearing he’ll bring the killer in his wake. But Weiss can’t stay away. Now, from a town called Paradise, through a wilder­ness that feels like hell, Weiss searches for Julie—and the killer follows, waiting for his chance. They are two expert hunters matching move for move—until it ends on Damnation Street.

Mina Calloway always finds herself in the hands of the wrong master: Gentle at first, then brutally sadistic and abusive. She no longer believes it’s possible to find a man who will be gentle with her. After seeing a kink-friendly therapist for months, the doctor makes her an illicit offer she isn’t yet smart enough to refuse: “Let me find you a good master.” Brian Sloan is a borderline sociopath with a dark and brutal past. Only taking his sadistic urges out on the women at a submissive training house allows him to sleep through the night. When Brian sees Mina, she should be ripe for the picking, but her damage is too similar to his own. Can he fight past his demons to protect the one person he considers worth saving?

CLASSIC SHORT STORIES FROM THE MASTER OF AMERICAN FICTION First published in 1927, Men Without Women represents some of Hemingway's most important and compelling early writing. In these fourteen stories, Hemingway begins to examine the themes that would occupy his later works: the casualties of war, the often uneasy relationship between men and women, sport and sportsmanship. In "Banal Story," Hemingway offers a lasting tribute to the famed matador Maera. "In Another Country" tells of an Italian major recovering from war wounds as he mourns the untimely death of his wife. "The Killers" is the hard-edged story about two Chicago gunmen and their potential victim. Nick Adams makes an appearance in "Ten Indians," in which he is presumably betrayed by his Indian girlfriend, Prudence. And "Hills Like White Elephants" is a young couple's subtle, heartwrenching discussion of abortion. Pared down, gritty, and subtly expressive, these stories show the young Hemingway emerging as America's finest short story writer.

The six essays that make up this compelling book view the long shadow of past guilt both as a uniquely German experience and as a global one. Bernhard Schlink explores the phenomenon of guilt and how it attaches to a whole society, not just to individual perpetrators. He considers how to use the lesson of history to motivate individual moral behavior, how to reconcile a guilt-laden past, how the role of law functions in this process, and how the theme of guilt influences his own fiction. Based on the Weidenfeld Lectures he delivered at Oxford University, Guilt About the Past is essential reading for anyone wanting to understand how events of the past can affect a nation's future. Written in Bernhard Schlink's eloquent but accessible style, it taps in to worldwide interest in the aftermath of war and how to forgive and reconcile the various legacies of the past.

She has just two weeks. Two weeks to teach him how to fall in love – with his own life. Adam Basil and Christine Rose are thrown together late one night, when Christine is crossing the Halfpenny Bridge in Dublin. Adam is there, poised, threatening to jump. Adam is desperate – but Christine makes a crazy deal with him. His 35th birthday is looming and she bets him she can show him that life is worth living before then. Despite her determination, Christine knows what a dangerous promise she’s made. Against the ticking of the clock, the two of them embark on wild escapades, grand romantic gestures and some unlikely late-night outings. Slowly, Christine thinks Adam is starting to fall back in love with his life. But has she done enough to change his mind for good? And is that all that’s starting to happen?

*In this third and final installment of the much loved When I Break series, Knox and McKenna’s relationship has reached a critical impasse. * The mistakes and secrets of their pasts have caught up to them and threaten their future happiness. Can McKenna trust that Knox’s sexual addiction is behind him and make a life with this beautifully troubled man? And when Knox reveals the full truth about his past, will McKenna be able to put her own fears aside and accept him?