At a New England boarding school, a sex scandal is about to break. Even more shocking than the sexual acts themselves is the fact that they were caught on videotape. A Pandora's box of revelations, the tape triggers a chorus of voices--those of the men, women, teenagers, and parents involved in the scandal--that details the ways in which lives can be derailed or destroyed in one foolish moment. Writing with a pace and intensity surpassing even her own greatest work, Anita Shreve delivers in TESTIMONY a gripping emotional drama with the impact of a thriller. No one more compellingly explores the dark impulses that sway the lives of seeming innocents, the needs and fears that drive ordinary men and women into intolerable dilemmas, and the ways in which our best intentions can lead to our worst transgressions.

The argument for my bail begins, and I lower my head until the doors behind me crash open with a thunderous roar. A vibration rushes through my body, I look up at the judge as his eyes widen and a cold silence takes hold of the room. It’s him. I know it’s him. It can be no other. Before I can turn I whisper his name and feel the energy of him blaze up my body as if the simple whisper of his name makes it true, makes him true. As hard as I fight my own curiosity I can’t stop myself, with all the assuredness in my head I still have to prove it to my own eyes. Turning, I slowly raise my head up and look upon the three gentlemen, dressed in dark suits and letting the hoods of their coats fall back and reveal expressions of pure - desired annihilation. But it is he that stands center and strong that confirms my suspicions. It is he that has caused this silence and chocked the breath out of an entire room. It’s as if the air could breathe and it breathes a trembling gasp of his name, with all that laid their eyes on this sight I see. Only I breathe his name and meet his eyes whispering … “I knew you would come for me.” Only God could save me from a certain deadly fate, and so rightfully, he sent the devil to rescue me. The sequel to The Devil's Eyes is action packed while still maintaining the same dark romance and suspenseful tone of the first novel.

A runaway bestseller on its publication in 1887, H. Rider Haggard’s She is a Victorian thrill ride of a novel, featuring a lost African kingdom ruled by a mysterious, implacable queen; ferocious wildlife and yawning abysses; and an eerie love story that spans two thousand years. She has bewitched readers from Freud and Jung to C. S. Lewis and J.R.R. Tolkien; in her Introduction to this Modern Library Paperback Classic—which includes period illustrations by Maurice Greiffenhagen and Charles H. M. Kerr—Margaret Atwood asserts that the awe-inspiring Ayesha, “She-who-must-be-obeyed,” is “a permanent feature of the human imagination.”

Ten characters, from occupied France to the Pacific Theater and from the frontlines to the home front, are profoundly changed by the events of World War II in this New York Times bestseller Epic in scope, Marge Piercy’s sweeping novel encompasses the wide range of people and places marked by the Second World War. Each of her ten narrators has a unique and compelling story that powerfully depicts his or her personality, desires, and fears. Special attention is given to the women of the war effort, like Bernice, who rebels against her domineering father to become a fighter pilot, and Naomi, a Parisian Jew sent to live with relatives in Detroit, whose twin sister, Jacqueline—still in France—joins the resistance against Nazi rule. The horrors of the concentration camps; the heroism of soldiers on the beaches of Okinawa, the skies above London, and the seas of the Mediterranean; the brilliance of code breakers; and the resilience of families waiting for the return of sons, brothers, and fathers are all conveyed through powerful, poignant prose that resonates beyond the page. Gone to Soldiers is a testament to the ordinary people, with their flaws and inner strife, who rose to defend liberty during the most extraordinary times.

Writing as Linda Brent, Harriet Jacobs's unflinching, powerful narrative of her life as a slave in North Carolina, and of her eventual escape and emancipation, is a damning account of the evils and brutality of slavery. This Enriched Classic Edition includes: •A concise introduction that gives the reader important background information•A chronology of the author's life and work•A timeline of significant events that provides the book's historical context•An outline of key themes and plot points to guide the reader's own interpretations•Detailed explanatory notes•Critical analysis and modern perspectives on the work•Discussion questions to promote lively classroom and book•group interaction•A list of recommended related books and films to broaden the reader's experienceEnriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

Dear Anna, What I have to tell you is difficult to write, but I know it will be far more difficult for you to hear, and I'm so sorry— The unfinished letter is the only clue Tara and Emerson have to the reason behind their close friend Noelle's suicide. Everything they knew about Noelle—her calling as a midwife, her passion for causes, her love for her friends and family—described a woman who embraced life. Yet there was so much they didn't know. With the discovery of the letter and its heartbreaking secret, Noelle's friends begin to uncover the truth about this complex woman who touched each of their lives - and the life of a desperate stranger - with love and betrayal, compassion and deceit.

Norman Mailer fused fact and fiction to create indelible portraits of such figures as Marilyn Monroe, Gary Gilmore, and Lee Harvey Oswald. In The Gospel According to the Son, Mailer reimagines, as no other modern author has, the key character of Western history. Here is Jesus Christ’s story in his own words: the discovery of his divinity and the painful, powerful journey to accepting and expressing it, “as if I were a man enclosing another man within.” In its brevity and piercing simplicity, it may be Mailer’s most accessible, direct, and heartfelt work. Praise for The Gospel According to the Son  * “Quietly penetrating . . . [Norman Mailer’s] gospel is written in a direct, rather relaxed English that yet has an eerie, neo-Biblical dignity.”—John Updike, The New Yorker “A book of considerable intellectual force . . . The writer’s powerful mind works in a specialized way, not by theological argumentation but by telling or retelling a story.”—The New York Review of Books  * “Challenges readers on the religious right and the atheist left with equally rich interpretive tasks.”—The Dallas Morning News “An informed and believable work of fiction . . . of what may have been going through the mind of Jesus during his epic ministry.”—San Francisco Chronicle   Praise for Norman Mailer   “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post** From the Hardcover edition.

In the aftermath of World War II, Martha Quest finds herself completely disillusioned. She is losing faith with the communist movement in Africa, and her marriage to one of the movement's leaders is disintegrating. Determined to resist the erosion of her personality, she engages in the first satisfactory love affair and breaks free, if only momentarily, from her suffocating unhappiness. Landlocked is the fourth novel of Doris Lessing's classic Children of Violence sequence of novels, each a masterpiece in its own right, and collectively an incisive, all encompassing vision of our world in the twentiethcentury. Author Biography: Doris Lessing was born Doris May Taylor in Persia (now Iran) on October 22, 1919. Both of her parents were British: Her father, who had been crippled in World War I, was a clerk in the Imperial Bank of Persia; her mother had been a nurse. In 1925, lured by the promise of getting rich through maize farming, the family moved to the British colony in Southern Rhodesia (now Zimbabwe). Her mother installed Doris in a covenant school, and then later in an all-girls high school in the capital of Salisbury, from which she soon dropped out. She was 13, and it was the end of her formal education. Lessing's life has been a challenge to her belief that people cannot resist the currents of their time, as she fought against the cultural and biological imperatives that fated her to sink without a murmur into marriage and motherhood. Lessing believes that she was freer than most people because she became a writer. For her, writing is a process of "setting a distance," taking the "raw, the individual, the uncriticized, the unexamined, into therealm of the general." Lessing's fiction is deeply autobiographical, much of it emerging out of her experiences in Africa. Drawing upon her childhood memories and her serious engagement with politics and social concerns, Lessing has written about the clash of cultures, the gross injustices of racial inequality, the struggle among opposing elements within an individual's own personality, and the conflict between the individual conscience and the collective good. Over the years, Lessing has attempted to accommodate what she admires in the novels of the 19th century — their "climate of ethical judgment" — to the demands of 20th-century ideas about consciousness and time. After writing the Children of Violence series (1952-1959), a formally conventional bildungsroman (novel of education) about the growth in consciousness of her heroine, Martha Quest, Lessing broke new ground with The Golden Notebook (1962), a daring narrative experiment in which the multiple selves of a contemporary woman are rendered in astonishing depth and detail. Anna Wolf, like Lessing herself, strives for ruthless honesty as she aims to free herself from the chaos, emotional numbness and hypocrisy afflicting her generation. In the 1970s and 1980s, Lessing began to explore more fully the quasi-mystical insight Anna Wolf seems to reach by the end of The Golden Notebook. Her "inner-space fiction" deals with cosmic fantasies Briefing for a Descent into Hell, 1971), dreamscapes and other dimensions (Memoirs of a Survivor, 1974), and science-fiction probings of higher planes of existence (Canopus in Argos: Archives, 1979-1983). These reflect Lessing's interest, since the 1960s, in Idries Shah, whose writings on Sufi mysticism stress the evolution of consciousness and the belief that individual liberation can come about only if people understand the link between their own fates and the fate of society. Lessing's other novels include The Good Terrorist (1985) and The Fifth Child (1988); she also published two novels under the pseudonym Jane Somers (The Diary of a Good Neighbor, 1983, and If the Old Could., 1984). In addition, she has written several nonfiction works, including books about cats, a love since childhood. Under My Skin: Volume One of My Autobiography, to 1949 was recently joined by Walking in the Shade: 1949 to 1962, both published by HarperCollins.

Reece Hatfield has just one rule when it comes to falling in love: don't fucking do it. There's no room in his life for another person. He can barely keep a handle on things as it is. A shadow of the man he used to be, Reece spends his days tattooing, the artist inside of him longing for the chance to do something different. Avery Moore is all dance, all the time. Ballet is all she's ever known, and she's damn good at it. Her body is her art, a living canvas that captivates Reece the first time he lays his eyes on her. He yearns to leave his mark on her body... in more ways than one. The tattooed degenerate with a shady past. The beautiful ballerina with a bright future. They live in different worlds, yet somehow, they fit. But just because they fit doesn't mean they belong together. Cracks sometimes form. Two pieces don't always make a whole. The course of love never did run smoothly. Things get messy. And Reece doesn't do messy. Not anymore.

Daisy Grace Webber's life hasn't exactly turned out how she thought. She didn't think she'd drop out of college and come back to the small town she grew up in. To be fair, she didn't think her love of baking would turn into a job at the Violet Hill Cafe either, but it did. Something else she didn't expect was for Molly Madison to walk back into her life, eight years after she moved away. They'd been best friends forever, or so she'd thought. But Molly is back in town and she's looking... really good, actually. And that reminds Daisy of that one time at a sleepover when they'd kissed during a game of Spin the Bottle. That one kiss has been on her mind since then, but it's irrelevant. Molly isn't into girls. But as Daisy and Molly spend more time together, feelings start to grow, and Daisy is wondering just how "straight" Molly really is...

The Death and Life of Charlie St. Cloud tells the haunting story of a young man who narrowly survives a terrible car wreck that kills his little brother. Years later, the brothers’ bond remains so strong that it transcends the normal boundaries separating life and death. Charlie St. Cloud lives in a snug New England fishing village. By day he tends the lawns and monuments of the ancient cemetery where his younger brother, Sam, is buried. Graced with an extraordinary gift after surviving the accident, he can still see, talk, and even play catch with Sam’s spirit. But townsfolk whisper that Charlie has never recovered from his loss. Into his carefully ordered life comes Tess Carroll, a captivating, adventuresome woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that blows her back to harbor, to a charged encounter with Charlie, and to a surprise more overwhelming than the violent sea itself. Charlie and Tess discover a beautiful and uncommon connection that leads to a race against time and a desperate choice between death and life, between the past and the future, between holding on and letting go. Luminous, soulful, and filled with unforgettable characters, The Death and Life of Charlie St. Cloud is one of those rare, wise books that reveal the mysteries of the unseen world around us, gently transforming the worst pain of loss into hope, healing, and even laughter. Suspenseful and deeply moving, its startling climax reminds us that sometimes tragedies can bring about miracles if we simply open our hearts. From the Hardcover edition.

In myth, Theseus was the slayer of the child-devouring Minotaur in Crete. What the founder-hero might have been in real life is another question, brilliantly explored in The King Must Die. Drawing on modern scholarship and archaeological findings at Knossos, Mary Renault’s Theseus is an utterly lifelike figure—a king of immense charisma, whose boundless strivings flow from strength and weakness—but also one steered by implacable prophecy. The story follows Theseus’s adventures from Troizen to Eleusis, where the death in the book’s title is to take place, and from Athens to Crete, where he learns to jump bulls and is named king of the victims. Richly imbued with the spirit of its time, this is a page-turner as well as a daring act of imagination.

When Father is taken away unexpectedly, Roberta, Peter, Phyllis and their mother have to leave their comfortable life in London to go and live in a small cottage in the country. The children seek solace in the nearby railway station, and make friends with Perks the Porter and the Station Master himself. Each day, Roberta, Peter and Phyllis run down the field to the railway track and wave at the passing London train, sending their love to Father. Little do they know that the kindly old gentleman passenger who waves back holds the key to their father's disappearance. Includes an introduction by Jacqueline Wilson, as well as a literary guide and glossary in the endnotes. Illustrated by C.E. Brock.

In H.M.S. Marlborough Will Enter Harbour, an old sloop, homeward bound, is torpedoed, leaving her guns out of action, more than three-quarters of her crew dead, and radio contact impossible. But her valiant captain steadfastly refuses to surrender his ship... In Leave Cancelled, an army officer and his young wife concentrate their passionate love into twenty-four hours, knowing that it might be their last chance... And in Heavy Rescue, an old soldier, having lived on the scrap heap for more than twenty years, finds that gallantry is once again in demand when he becomes leader of a Heavy Rescue Squad...