Widely considered one of the great dramatic creations of the modern stage, "Mother Courage and Her Children" is Bertolt Brecht's most passionate and profound statement against war. Set in the seventeenth century, the play follows Anna Fierling -- "Mother Courage" -- an itinerant trader, as she pulls her wagon of wares and her children through the blood and carnage of Europe's religious wars. Battered by hardships, brutality, and the degradation and death of her children, she ultimately finds herself alone with the one thing in which she truly believes -- her ramshackle wagon with its tattered flag and freight of boots and brandy. Fitting herself in its harness, the old woman manages, with the last of her strength, to drag it onward to the next battle. In the enduring figure of Mother Courage, Bertolt Brecht has created one of the most extraordinary characters in the literature of drama.

This edition of "Wuthering Heights" has been shortened to two-thirds of its original length, and slightly simplified, whilst preserving the book's character. It offers readers with good English a more approachable version of Emily's Bronte's great classic novel."Wuthering Heights" is one of the great classics of English literature, yet many readers find it difficult to finish. This edition has shortened the book to two-thirds of its original length, and slightly simplified it, whilst preserving the book's character. It offers readers with good English a more approachable version of this famous novel.

From the internationally-acclaimed author of some of this century's most breathtakingly original novels comes this posthumous collection of thirty-six literary essays that will make any fortunate reader view the old classics in a dazzling new light. Learn why Lara, not Zhivago, is the center of Pasternak's masterpiece, Dr. Zhivago, and why Cyrano de Bergerac is the forerunner of modern-day science-fiction writers. Learn how many odysseys The Odyssey contains, and why Hemingway's Nick Adams stories are a pinnacle of twentieth-century literature. From Ovid to Pavese, Xenophon to Dickens, Galileo to Gadda, Calvino covers the classics he has loved most with essays that are fresh, accessible, and wise. Why Read the Classics? firmly establishes Calvino among the rare likes of Nabokov, Borges, and Lawrence--writers whose criticism is as vibrant and unique as their groundbreaking fiction.   From the Trade Paperback edition.

The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths. This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations by themselves and others), includes the text of the original edition (as augmented in 1964) as well as Irby's biographical and critical essay, a poignant tribute by André Maurois, and a chronology of the author's life. Borges enthusiast William Gibson has contributed a new introduction bringing Borges' influence and importance into the twenty-first century.

"An almost flawless story of love...Morgan emerges as a true hero." LOS ANGELES TIMES Morgan Gower works at Cullen's hardware store in north Baltimore. He has seven daughters and a warmhearted wife, but as he journeys into the gray area of middle age, he finds his household growing tedious. Then Morgan meets two lovely young newlyweds under some rather extreme circumstances--and all three discover that no one's heart is safe.... From the Paperback edition.

People go missing every day. They walk out of their front doors and out of their lives into the silence of cold statistics. For those left behind it is the cruelest of long good-byes. Anna, a self-sufficient and reliable single mother, packs her bags one day for a short vacation to Italy. She leaves her beloved six-year-old daughter, Lily, at home in London with good friends. But when Anna doesn't return, everyone begins to make excuses until the likelihood that she might not come back becomes chillingly clear. And the people who thought they knew Anna best realize they don't know her at all. How could she leave her daughter? Why doesn't she call? Is she enjoying a romantic tryst with a secret lover? Or has she been abducted or even killed by a disturbed stranger? Did that person you loved so much and thought you knew so well did they simply choose to go and not come back? Or did someone do the choosing for them? Dunant, a masterly British suspense writer, skillfully interweaves parallel narratives that are stretched taut with tension even as they raise difficult questions about motherhood, friendship, and accountability. In this compelling hybrid of sophisticated crime writing and modern women's fiction, Dunant challenges and unnerves us as she redefines the boundaries of the psychological thriller. Missing rubs the soul raw. In place of answers all you have is your imagination.

From the balcony of his house, Mike Haines can see the quiet, commonplace beauty of the Holliday farm. But what he remembers is the little sister of his high school girlfriend, Dusty who grew up there. As a teen, Dusty had gone off the rails but when she was a kid, she was sweet, she was funny and she had a special bond with Mike. But after high school, she took off and Mike never saw her again. Then tragedy strikes Dusty's family, she comes back into town and Mike thinks she hasn't changed back to the sweet, funny girl he knew but instead continued to be selfish and thoughtless, leaving her family alone to deal with their mourning. So he seeks her out and confronts her in an effort to understand what went wrong and to force her to sort herself out. He finds out quickly he's wrong about Dusty Holliday. Very wrong. And right after Mike discovers that, the bond they had years before snaps back into place in ways he would never suspect. But Mike Haines had a bad marriage then he played games of the heart for a good woman. And lost. In order to protect himself and his kids, he's cautious, he's careful to read the signs and he's not interested in finding a woman he has to fix. Then he learns what happened to Dusty and he thinks she needs to be fixed. He swings, he misses and in this new game of hearts, for Dusty, Mike just got strike three.

An unlikely bond is forged between three men from very different backgrounds when they serve time together in prison. A series of wrong turns and disastrous life choices has led to their incarceration. Following their release, Mangle, Decker and Tazeem stick together as they return to a life of crime, embarking on a lucrative scam. But when they stumble upon a sophisticated sex-trafficking operation, they soon realise that they are in mortal danger. The disappearance of a family member and the murder of a dear friend lead the three to delve deeper into a world of violence and deception. In their quest for retribution and justice, they put their lives on the line. Their paths cross with that of Tatiana, who has left her home country for a better life in the West - or so she thinks. She soon realises she is in the hands of ruthless, violent people, who run an operation supplying girls to meet the most deviant desires of rich and powerful men. Will she survive the horrors of The Zombie Room? Are Mangle, Decker and Tazeem brave enough to follow her there, in an attempt to set her free?

To rescue her family from poverty and avoid marrying her slope-shouldered cousin, seventeen-year-old Orchid competes to be one of the Emperor's wives. When she is chosen as a lower-ranking concubine she enters the erotically charged and ritualised Forbidden City. But beneath its immaculate façade lie whispers of murders and ghosts, and the thousands of concubines will stoop to any lengths to bear the Emperor's son. Orchid trains herself in the art of pleasuring a man, bribes her way into the royal bed, and seduces the monarch, drawing the attention of dangerous foes. Little does she know that China will collapse around her, and that she will be its last Empress.

From the author of the New York Times bestseller and 2014 Edgar and Anthony nominee Reconstructing Amelia comes another harrowing, gripping novel that marries psychological suspense with an emotionally powerful story about a community struggling with the consequences of a devastating discovery. At the end of a long winter, in bucolic Ridgedale, New Jersey, the body of an infant is discovered in the woods near the town’s prestigious university campus. No one knows who the baby is, or how her body ended up out there. But there is no shortage of opinions. When freelance journalist, and recent Ridgedale transplant, Molly Anderson is unexpectedly called upon to cover the story for the Ridegdale Reader, it’s a risk, given the severe depression that followed the loss of her own baby. But the bigger threat comes when Molly unearths some of Ridgedale’s darkest secrets, including a string of unreported sexual assaults that goes back twenty years. Meanwhile, Sandy, a high school dropout, searches for her volatile and now missing mother, and PTA president Barbara struggles to help her young son, who’s suddenly having disturbing outbursts. Told from the perspectives of Molly, Barbara, and Sandy, Kimberly McCreight’s taut and profoundly moving novel unwinds the tangled truth about the baby’s death revealing that these three women have far more in common than they realized. And that their lives are more intertwined with what happened to the baby than they ever could have imagined.

A collection that captures a wealth of the writer's diverse themes.

Recounts how the author, an Austrian, escaped from an English internment camp in India in 1943 and spent the next seven years in Tibet, observing its social practices, religion, politics, and people.

Sam, Bonzi, Lola, Mbongo, Jelani, and Makena are no ordinary apes. These bonobos, like others of their species, are capable of reason and carrying on deep relationships - but unlike most bonobos, they also know American Sign Language. Isabel Duncan, a scientist at the Great Ape Language Lab, doesn’t understand people, but animals she gets - especially the bonobos. Isabel feels more comfortable in their world than she’s ever felt among humans... until she meets John Thigpen, a very married reporter who braves the ever-present animal rights protesters outside the lab to see what’s really going on inside. When an explosion rocks the lab, severely injuring Isabel and “liberating” the apes, John’s human interest piece turns into the story of a lifetime, one he’ll risk his career and his marriage to follow. Then a reality TV show featuring the missing apes debuts under mysterious circumstances, and it immediately becomes the biggest - and unlikeliest - phenomenon in the history of modern media. Millions of fans are glued to their screens watching the apes order greasy take-out, have generous amounts of sex, and sign for Isabel to come get them. Now, to save her family of apes from this parody of human life, Isabel must connect with her own kind, including John; a green-haired vegan; and a retired porn star with her own agenda. *Ape House* delivers great entertainment, but it also opens the animal world to us in ways few novels have done, securing Sara Gruen’s place as a master storyteller who allows us to see ourselves as we never have before.