From a quiet turn-of-the-century village in upstate New York to war-torn London, from the bedsides of the rural poor to the life-and-death urgency of a great New York City hospital, this is a powerful epic of three generations of doctors in one magnificent family. The Farrells-dedicated, brilliant.. and driven to the edge of destruction by a love no human force could suppress.From the Paperback edition.

Hard Times is the name of a town in the barren hills of the Dakota Territory. To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage–a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably–and makes them his provisional family. Blue begins to rebuild Hard Times, welcoming new settlers, while Molly waits with vengeance in her heart for the return of the outlaw. Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics. “A forceful, credible story of cowardice and evil.” –The Washington Post “We are caught up with these people as real human beings.” –Chicago Sun-Times “Dramatic and exciting.” –The New York Times “Terse and powerful.” –Newsweek “A taut, bloodthirsty read.” –The Times Literary Supplement “A superb piece of fiction.” –The New Republic

Published in 1905, this story of love and adventure in early seventeenth century France features the handsome, devil-may-care Bardelys, favorite of the dissolute Louis XIII, who enters into a wager with the king that will lead to Bardelys losing his heart . . . and very nearly his head.

A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.”  The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s editors shelved the story because of the unconventional style that marked Famous Men, and for years the original report was presumed lost. But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”

This second volume of Christopher Isherwood's remarkable diaries opens on his fifty-sixth birthday, as the fifties give way to the decade of social and sexual revolution. Isherwood takes the reader from the bohemian sunshine of Southern California to a London finally swinging free of post-war gloom, to the racy cosmopolitanism of New York and to the raw Australian outback. He charts his ongoing quest for spiritual certainty under the guidance of his Hindu guru, and he reveals in reckless detail the emotional drama of his love for the American painter Don Bachardy, thirty years his junior and struggling to establish his own artistic identity. The diaries are crammed with wicked gossip and probing psychological insights about the cultural icons of the time—Francis Bacon, Richard Burton, Leslie Caron, Marianne Faithfull, David Hockney, Mick Jagger, Hope Lange, W. Somerset Maugham, John Osborne, Vanessa Redgrave, Tony Richardson, David O. Selznick, Igor Stravinsky, Gore Vidal, and many others. But the diaries are most revealing about Isherwood himself—his fiction (including A Single Man and Down There on a Visit), his film writing, his college teaching, and his affairs of the heart. He moves easily from Beckett to Brando, from arthritis to aggression, from Tennessee Williams to foot powder, from the opening of Cabaret on Broadway (which he skipped) to a close analysis of Gide. In the background run references to the political and historical events of the period: the anxieties of the Cold War, Yuri Gagarin's spaceflight, de Gaulle and Algeria, the eruption of violence in America's inner cities, the Vietnam War, the Summer of Love, the moon landing, and the raising and lowering of hemlines. Isherwood is well known for his prophetic portraits of a morally bankrupt Europe on the eve of World War II; in this unparalleled chronicle, The Sixties, he turns his fearless eye on the decade that more than any other has shaped the way we live now.

BONUS: This edition includes an excerpt from James D. Hornfischer's Neptune's Inferno. “This will be a fight against overwhelming odds from which survival cannot be expected. We will do what damage we can.” With these words, Lieutenant Commander Robert W. Copeland addressed the crew of the destroyer escort USS Samuel B. Roberts on the morning of October 25, 1944, off the Philippine Island of Samar. On the horizon loomed the mightiest ships of the Japanese navy, a massive fleet that represented the last hope of a staggering empire. All that stood between it and Douglas MacArthur’ s vulnerable invasion force were the Roberts and the other small ships of a tiny American flotilla poised to charge into history. In the tradition of the #1 New York Times bestseller Flags of Our Fathers, James D. Hornfischer paints an unprecedented portrait of the Battle of Samar, a naval engagement unlike any other in U.S. history—and captures with unforgettable intensity the men, the strategies, and the sacrifices that turned certain defeat into a legendary victory.

One Person Can Make a DifferenceIn search of adventure, twenty-nine-year-old Conor Grennan traded his day job for a year-long trip around the globe, a journey that began with a three-month stint volunteering at the Little Princes Children's Home, an orphanage in war-torn Nepal.Conor was initially reluctant to volunteer, unsure whether he had the proper skill, or enough passion, to get involved in a developing country in the middle of a civil war. But he was soon overcome by the herd of rambunctious, resilient children who would challenge and reward him in a way that he had never imagined. When Conor learned the unthinkable truth about their situation, he was stunned: The children were not orphans at all. Child traffickers were promising families in remote villages to protect their children from the civil war—for a huge fee—by taking them to safety. They would then abandon the children far from home, in the chaos of Nepal's capital,...

These two novellas by the groundbreaking, fearless, and immeasurably influential Robert Coover are dirty, funny and brilliant. In Briar Rose a sleeping beauty is trapped in an enchantment for a hundred years, dreaming of stories in which someone like her wakes up disappointed, or becomes a mother, or is stripped and defiled. And, as she dreams, outside, failed princes die and hang their remains on the thorns of a briar hedge. In Spanking the Maid a maid and her master are each committed to their own hard service: she, attempting to perform her simple duties without error; he, supplying punishment by rod, belt, hairbrush, whip, cane and slipper when she inevitably fails. These tales of desire are Coover at his most darkly playful.

Cynthia Eden invites you into the world of the Others--supernatural creatures who are sexy, powerful, and more than human in every way. . .No one that deadly should look that good. Hybrid demon Zane Wynter specializes in tracking the most lethal criminals, whether human or Other. But Jana Carter is nothing like his previous targets. She's an Ignitor, able to conjure and control fire. She's also sexy beyond belief--and used to playing dirty. . . Jana knows she's being set up. She even knows who's responsible: Project Perseus, a secretive group that plans to rid the world of paranormals by any means necessary. From Louisiana's sultry swamps to its desolate cemeteries, Jana and Zane must race to destroy the mastermind behind Perseus before their world goes up in flames--and with it, a desire that burns too hot to resist. . . Praise for Eternal Hunter"A fast-paced, sexy thrill ride you won't want to miss. . .It hooked me from the first page." --Christine Feehan "Danger and excitement leap off every page." --Publishers Weekly (starred review)From Publishers WeeklyThe action-packed sequel to 2010's I'll Be Slaying You highlights Zane Wynter, another member of Baton Rouge's supernatural bounty hunter group, Night Watch. While stalking a killer, demon-human hybrid Zane rescues Jana Carter from a blazing building. But Jana isn't an innocent victim: she's an Ignitor, a human firestarter, and she's been hunting non-humans on behalf of shadowy Project Perseus. Zane is attracted to Jana and grateful for her help when he's attacked, but she's also at the top of his hunt list and he's determined to bring her in. When Night Watch's headquarters is attacked, Jana joins Zane in taking down Perseus, dodging an FBI agent with a personal vendetta, and trying to clear Jana's name. Eden's characters are strong and sexy, the twisty movie-like plot is tight and entertaining, and the book stands well on its own. Review"Eden's characters are strong and sexy, the twisty movie-like plot is tight and entertaining, and the book stands well on its own. (Dec.)"  --Publisher's Weekly