Our Review
When in Rome
A stolen masterpiece with arcane allegorical significance; a decades-old political kidnapping and murder; and, of course, a tantalizing artwork of unknown provenance -- in his seventh Jonathan Argyll art mystery, The Immaculate Deception, English art historian Iain Pears returns with a virtuosic display of ingenious plotting and literary trompe l'oeil.
Pears's clever and effortlessly erudite art mysteries have found a select readership on both sides of the Atlantic. But the phenomenal success of Pears's 1998 literary thriller, An Instance of the Fingerpost -- a multifaceted Restoration whodunit on a par with Umberto Eco's The Name of the Rose -- has dramatically increased stateside interest in the author's earlier work. The Immaculate Deception once again centers on the exploits of the affable and perpetually distracted English art dealer Jonathan Argyll; the beautiful and formidable Flavia di Stefano of the Italian Art Theft Squad; and her
erstwhile boss, General Taddeo Bottando, along with several of the series' usual -- or, more appropriately -- unusual supporting cast of suspects.
When a masterpiece on loan for the opening of an international exhibition is stolen in a manner calculated to embarrass the Italian government, Flavia di Stefano is ordered by the newly installed prime minister to recover the painting at all costs. Her deceptively simple mandate quickly reveals itself to be a politically fraught, no-win situation. If is she meets the thief's ransom demands, she'll almost certainly be disgraced -- and perhaps go to jail; if she refuses the order, she'll be summarily removed from her post. With Jonathan jaunting through the Tuscan countryside on the trail of an interesting art collection, Flavia turns to her old
friend and confidant General Bottando for advice. As a seasoned survivor of the Roman political arena himself, he suggests that she follow the time-honored convention and do as other Romans: "When faced with deviousness, you must be devious yourself."
Working together, Flavia and Bottando devise a plan to recover the painting. But no sooner has the ransom been paid than the art-napper -- a former '60s radical turned bourgeois performance artist -- is found dead under highly suspicious circumstances. Worse, Bottando himself has disappeared without a trace, leaving Flavia to face her first major crisis as head of the Art
Squad alone. Risking official censure and hounded by a sinister journalist, Flavia explores the tenuous connection between a decades-old act of terrorism and recent events, only to discover a secret conspiracy that could topple the government -- or cost her her life.
Like Michael Dibdin's award-winning Aurelio Zen novels, Pears's Jonathan Argyll mysteries go beyond genre fundamentals to immerse readers in every aspect of contemporary Italian culture -- from its legendary art and cuisine to the labyrinthine bureaucracy of the political and criminal justice systems to candid, unexpectedly breathtaking portrayals of everyday life. The Immaculate Deception is a splendid addition to a mystery series of the first order, and an exuberant confirmation of Iain Pears as a modern
master of the form.
--Greg Marrs
Mystery & Detective / History & Fiction
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-- a multifaceted Restoration whodunit on a par with Umberto Eco's The Name of the Rose -- has dramatically increased stateside interest in the author's earlier work. The Immaculate Deception once again centers on the exploits of the affable and perpetually distracted English art dealer Jonathan Argyll; the beautiful and formidable Flavia di Stefano of the Italian Art Theft Squad; and her
erstwhile boss, General Taddeo Bottando, along with several of the series' usual -- or, more appropriately -- unusual supporting cast of suspects.
When a masterpiece on loan for the opening of an international exhibition is stolen in a manner calculated to embarrass the Italian government, Flavia di Stefano is ordered by the newly installed prime minister to recover the painting at all costs. Her deceptively simple mandate quickly reveals itself to be a politically fraught, no-win situation. If is she meets the thief's ransom demands, she'll almost certainly be disgraced -- and perhaps go to jail; if she refuses the order, she'll be summarily removed from her post. With Jonathan jaunting through the Tuscan countryside on the trail of an interesting art collection, Flavia turns to her old
friend and confidant General Bottando for advice. As a seasoned survivor of the Roman political arena himself, he suggests that she follow the time-honored convention and do as other Romans: "When faced with deviousness, you must be devious yourself."
Working together, Flavia and Bottando devise a plan to recover the painting. But no sooner has the ransom been paid than the art-napper -- a former '60s radical turned bourgeois performance artist -- is found dead under highly suspicious circumstances. Worse, Bottando himself has disappeared without a trace, leaving Flavia to face her first major crisis as head of the Art
Squad alone. Risking official censure and hounded by a sinister journalist, Flavia explores the tenuous connection between a decades-old act of terrorism and recent events, only to discover a secret conspiracy that could topple the government -- or cost her her life.
Like Michael Dibdin's award-winning Aurelio Zen novels, Pears's Jonathan Argyll mysteries go beyond genre fundamentals to immerse readers in every aspect of contemporary Italian culture -- from its legendary art and cuisine to the labyrinthine bureaucracy of the political and criminal justice systems to candid, unexpectedly breathtaking portrayals of everyday life. The Immaculate Deception is a splendid addition to a mystery series of the first order, and an exuberant confirmation of Iain Pears as a modern
master of the form.
--Greg Marrs
-- has dramatically increased stateside interest in the author's earlier work. The Immaculate Deception once again centers on the exploits of the affable and perpetually distracted English art dealer Jonathan Argyll; the beautiful and formidable Flavia di Stefano of the Italian Art Theft Squad; and her
erstwhile boss, General Taddeo Bottando, along with several of the series' usual -- or, more appropriately -- unusual supporting cast of suspects.
When a masterpiece on loan for the opening of an international exhibition is stolen in a manner calculated to embarrass the Italian government, Flavia di Stefano is ordered by the newly installed prime minister to recover the painting at all costs. Her deceptively simple mandate quickly reveals itself to be a politically fraught, no-win situation. If is she meets the thief's ransom demands, she'll almost certainly be disgraced -- and perhaps go to jail; if she refuses the order, she'll be summarily removed from her post. With Jonathan jaunting through the Tuscan countryside on the trail of an interesting art collection, Flavia turns to her old
friend and confidant General Bottando for advice. As a seasoned survivor of the Roman political arena himself, he suggests that she follow the time-honored convention and do as other Romans: "When faced with deviousness, you must be devious yourself."
Working together, Flavia and Bottando devise a plan to recover the painting. But no sooner has the ransom been paid than the art-napper -- a former '60s radical turned bourgeois performance artist -- is found dead under highly suspicious circumstances. Worse, Bottando himself has disappeared without a trace, leaving Flavia to face her first major crisis as head of the Art
Squad alone. Risking official censure and hounded by a sinister journalist, Flavia explores the tenuous connection between a decades-old act of terrorism and recent events, only to discover a secret conspiracy that could topple the government -- or cost her her life.
Like Michael Dibdin's award-winning Aurelio Zen novels, Pears's Jonathan Argyll mysteries go beyond genre fundamentals to immerse readers in every aspect of contemporary Italian culture -- from its legendary art and cuisine to the labyrinthine bureaucracy of the political and criminal justice systems to candid, unexpectedly breathtaking portrayals of everyday life. The Immaculate Deception is a splendid addition to a mystery series of the first order, and an exuberant confirmation of Iain Pears as a modern
master of the form.
--Greg Marrs
Kate Parello runs a volunteer program in Belize for Artists for International Aid, where she deals with self-centered artists who use the program as a means to repair their marred reputations. She loves the country, the people, and what AIA stands for, but too many diva volunteers have turned her off to press-seeking celebrities altogether and left her questioning the value of the volunteer program. When she meets incredibly handsome and charming Sage, he stirs emotions she hasn't felt for ages, even though he represents the things she despises. Laid-back artist Sage Remington escapes his wealthy lifestyle in the Big Apple for a two-week journey of self-discovery to figure out how a guy who has so much can feel so empty. When he meets ultra-organized Kate, who lives her life the way he's always dreamed of living his, the attraction is too hot to ignore, but Sage is there to figure out what's missing in his life, not to find a woman. Every look, and every late-night chat in the romantic jungle brings them closer together, but Sage can barely think past stripping away Kate's misconceptions about him. Kate fights him every step of the way--even though she finds it hard to ignore the strikingly handsome, generous-to-a-fault artist who wants to do nothing more than right the wrongs of the world--and love her to the ends of the earth.
Synopsis:After a grueling escape north, Belle Palmer is free, yet lost and alone. Separated from her father on the harrowing journey, Belle has nowhere to turn until she finds shelter with the Bests, the first free family she's ever known.For the first time in her sixteen years, Belle is able to express herself freelyexcept where her feelings for a certain dark-eyed young man are concerned.Daniel Best is headed for great things. Educated and handsome, at eighteen he is full of the promise and dreams of his people, and is engaged to the prettiest (if the most spoiled) girl around. So when a bedraggled stranger arrives in his household and turns into a vibrant, lovely young woman, his attraction to her catches him entirely by surprise.While Belle is determined to deny her feelings for him, Daniel is caught between his conscience and his infatuation with her. That the two belong together is undeniable, but that it could ever happen seems impossible.Biography:Beverly Jenkins grew up in Detroit and majored in journalism and English literature at Michigan State University. She has been featured in many national publications, including the Wall Street Journal, People, Dallas Morning News, and Vibe.
This book was digitized and reprinted from the collections of the University of California Libraries. It was produced from digital images created through the libraries’ mass digitization efforts. The digital images were cleaned and prepared for printing through automated processes. Despite the cleaning process, occasional flaws may still be present that were part of the original work itself, or introduced during digitization. This book and hundreds of thousands of others can be found online in the HathiTrust Digital Library at www.hathitrust.org.
Stanley Weyman was a celebrated English novelist, most famous for his classic historical romances.
In May 2009, Editor Unleashed and Smashwords co-sponsored The Flash Fiction 40 Contest. Writers submitted stories of 1,000 words or fewer on the Editor Unleashed forum. Maria Schneider, with the community's input, selected the winners. than 280 writers took up the challenge and posted a story. Here, for your reading pleasure, are the top 40 stories.A simple woodcutter learns there is a ten million carat price on his head. Every bounty hunter in the Eleven Kingdoms is on his trail. The Dark Magic Society want him dead. The Gods want him to save the world. Jason Cosmo just wants to get through this alive.HERO WANTED is Book 1 of the comical Jason Cosmo fantasy adventure series.Jason Cosmo is perfectly happy living in the humble village of Lower Hicksnittle—until a foppish stranger tries to kill him, claiming there is a huge price on Jason's head. A price big enough to put the world of Arden’s best—and worst—bounty hunters on his trail. Overnight, Jason has become the most feared man in the Eleven Kingdoms—which is news to him!On the run from mercenaries, Demon Lords, and the full might of the sinister Dark Magic Society, Jason teams up with cynical wizard Mercury Boltblaster and winsome twins Sapphrina and Rubis to learn the truth.Driven inexorably onward by the Laws of Narrative, Jason's quest takes him from the bright realm of The Gods to the deadly depths of the Incredibly Dark Forest—and into a final confrontation with the forces of evil!Followed by an even more final confrontation. And then an obligatory wrapping-up-loose-ends scene.If he lives that long...Praise for HERO WANTED:"Energetic fantasy adventure ... McGirt seems prepared to stoop to the lowest literary levels to set up a joke...gleefully employs coincidence, improbability, and a downright flouting of the laws of narrative.”— Publishers Weekly“Read this book! ... If the point of a book is to entertain, then McGirt’s rollicking fantasy is flawless. It is a witty, humorous, reluctant-hero-saves-world-gets-girl romp with a dash of jaded crabby wizard thrown in...” —P.A. Seasholtz, author of the Fayersae Histories“If you enjoyed Hitchhiker's Guide to the Galaxy, you will love this comical fantasy story of Jason Cosmo...A very entertaining tale with all the classic fantasy elements.” —Jasmyn’s Stuff
