Online Read Free Novel
  • Home
  • Romance & Love
  • Fantasy
  • Science Fiction
  • Mystery & Detective
  • Thrillers & Crime
  • Actions & Adventure
  • History & Fiction
  • Horror
  • Western
  • Humor

    Autobiography of Anthony Trollope

    Prev Next


      popular. He wrote a life of Canning, and he brought out an annotated

      edition of the British poets; but he achieved no great success.

      I have known no man better read in English literature. Hence his

      conversation had a peculiar charm, but he was not equally happy

      with his pen. He will long be remembered at the Literary Fund

      Committees, of which he was a staunch and most trusted supporter.

      I think it was he who first introduced me to that board. It has

      often been said that literary men are peculiarly apt to think that

      they are slighted and unappreciated. Robert Bell certainly never

      achieved the position in literature which he once aspired to fill,

      and which he was justified in thinking that he could earn for

      himself. I have frequently discussed these subjects with him, but

      I never heard from his mouth a word of complaint as to his own

      literary fate. He liked to hear the chimes go at midnight, and he

      loved to have ginger hot in his mouth. On such occasions no sound

      ever came out of a man's lips sweeter than his wit and gentle

      revelry.

      George Lewes,--with his wife, whom all the world knows as George

      Eliot,--has also been and still is one of my dearest friends.

      He is, I think, the acutest critic I know,--and the severest. His

      severity, however, is a fault. His intention to be honest, even when

      honesty may give pain, has caused him to give pain when honesty has

      not required it. He is essentially a doubter, and has encouraged

      himself to doubt till the faculty of trusting has almost left him.

      I am not speaking of the personal trust which one man feels in

      another, but of that confidence in literary excellence, which is,

      I think, necessary for the full enjoyment of literature. In one

      modern writer he did believe thoroughly. Nothing can be more charming

      than the unstinted admiration which he has accorded to everything

      that comes from the pen of the wonderful woman to whom his lot has

      been united. To her name I shall recur again when speaking of the

      novelists of the present day.

      Of "Billy Russell," as we always used to call him, I may say

      that I never knew but one man equal to him in the quickness and

      continuance of witty speech. That one man was Charles Lever--also

      an Irishman--whom I had known from an earlier date, and also with

      close intimacy. Of the two, I think that Lever was perhaps the

      more astounding producer of good things. His manner was perhaps a

      little the happier, and his turns more sharp and unexpected. But

      "Billy" also was marvellous. Whether abroad as special correspondent,

      or at home amidst the flurry of his newspaper work, he was a charming

      companion; his ready wit always gave him the last word.

      Of Thackeray I will speak again when I record his death.

      There were many others whom I met for the first time at George

      Smith's table. Albert Smith, for the first, and indeed for the last

      time, as he died soon after; Higgins, whom all the world knew as

      Jacob Omnium, a man I greatly regarded; Dallas, who for a time was

      literary critic to the Times, and who certainly in that capacity

      did better work than has appeared since in the same department;

      George Augustus Sala, who, had he given himself fair play, would

      have risen to higher eminence than that of being the best writer

      in his day of sensational leading articles; and Fitz-James Stephen,

      a man of very different calibre, who had not yet culminated, but

      who, no doubt, will culminate among our judges. There were many

      others;--but I cannot now recall their various names as identified

      with those banquets.

      Of Framley Parsonage I need only further say, that as I wrote it I

      became more closely than ever acquainted with the new shire which

      I had added to the English counties. I had it all in my mind,--its

      roads and railroads, its towns and parishes, its members of Parliament,

      and the different hunts which rode over it. I knew all the great

      lords and their castles, the squires and their parks, the rectors

      and their churches. This was the fourth novel of which I had placed

      the scene in Barsetshire, and as I wrote it I made a map of the

      dear county. Throughout these stories there has been no name given

      to a fictitious site which does not represent to me a spot of which I

      know all the accessories, as though I had lived and wandered there.

      CHAPTER IX "CASTLE RICHMOND;" "BROWN, JONES, AND ROBINSON;" "NORTH AMERICA;" "ORLEY FARM"

      When I had half-finished Framley Parsonage, I went back to my other

      story, Castle Richmond, which I was writing for Messrs. Chapman &

      Hall, and completed that. I think that this was the only occasion

      on which I have had two different novels in my mind at the same

      time. This, however, did not create either difficulty or confusion.

      Many of us live in different circles; and when we go from our friends

      in the town to our friends in the country, we do not usually fail

      to remember the little details of the one life or the other. The

      parson at Rusticum, with his wife and his wife's mother, and all

      his belongings; and our old friend, the Squire, with his family

      history; and Farmer Mudge, who has been cross with us, because we

      rode so unnecessarily over his barley; and that rascally poacher,

      once a gamekeeper, who now traps all the foxes; and pretty Mary

      Cann, whose marriage with the wheelwright we did something to

      expedite;--though we are alive to them all, do not drive out of our

      brain the club gossip, or the memories of last season's dinners, or

      any incident of our London intimacies. In our lives we are always

      weaving novels, and we manage to keep the different tales distinct.

      A man does, in truth, remember that which it interests him to

      remember; and when we hear that memory has gone as age has come on,

      we should understand that the capacity for interest in the matter

      concerned has perished. A man will be generally very old and feeble

      before he forgets how much money he has in the funds. There is

      a good deal to be learned by any one who wishes to write a novel

      well; but when the art has been acquired, I do not see why two or

      three should not be well written at the same time. I have never

      found myself thinking much about the work that I had to do till

      I was doing it. I have indeed for many years almost abandoned the

      effort to think, trusting myself, with the narrowest thread of

      a plot, to work the matter out when the pen is in my hand. But my

      mind is constantly employing itself on the work I have done. Had

      I left either Framley Parsonage or Castle Richmond half-finished

      fifteen years ago, I think I could complete the tales now with very

      little trouble. I have not looked at Castle Richmond since it was

      published; and poor as the work is, I remember all the incidents.

      Castle Richmond certainly was not a success,--though the plot is a

      fairly good plot, and is much more of a plot than I have generally

      been able to find. The scene is laid in Ireland, during the famine;

      and I am well aware now that English readers no longer like Irish

      stories. I cannot understand why it
    should be so, as the Irish

      character is peculiarly well fitted for romance. But Irish subjects

      generally have become distasteful. This novel, however, is of

      itself a weak production. The characters do not excite sympathy.

      The heroine has two lovers, one of whom is a scamp and the other

      a prig. As regards the scamp, the girl's mother is her own rival.

      Rivalry of the same nature has been admirably depicted by Thackeray

      in his Esmond; but there the mother's love seems to be justified

      by the girl's indifference. In Castle Richmond the mother strives

      to rob her daughter of the man's love. The girl herself has no

      character; and the mother, who is strong enough, is almost revolting.

      The dialogue is often lively, and some of the incidents are well

      told; but the story as a whole was a failure. I cannot remember,

      however, that it was roughly handled by the critics when it came

      out; and I much doubt whether anything so hard was said of it then

      as that which I have said here.

      I was now settled at Waltham Cross, in a house in which I could

      entertain a few friends modestly, where we grew our cabbages

      and strawberries, made our own butter, and killed our own pigs. I

      occupied it for twelve years, and they were years to me of great

      prosperity. In 1861 I became a member of the Garrick Club, with

      which institution I have since been much identified. I had belonged

      to it about two years, when, on Thackeray's death, I was invited

      to fill his place on the Committee, and I have been one of that

      august body ever since. Having up to that time lived very little

      among men, having known hitherto nothing of clubs, having even as

      a boy been banished from social gatherings, I enjoyed infinitely at

      first the gaiety of the Garrick. It was a festival to me to dine

      there--which I did indeed but seldom; and a great delight to play

      a rubber in the little room up-stairs of an afternoon. I am speaking

      now of the old club in King Street. This playing of whist before

      dinner has since that become a habit with me, so that unless there

      be something else special to do--unless there be hunting, or I am

      wanted to ride in the park by the young tyrant of my household--it

      is "my custom always in the afternoon." I have sometimes felt sore

      with myself for this persistency, feeling that I was making myself

      a slave to an amusement which has not after all very much to

      recommend it. I have often thought that I would break myself away

      from it, and "swear off," as Rip Van Winkle says. But my swearing

      off has been like that of Rip Van Winkle. And now, as I think of

      it coolly, I do not know but that I have been right to cling to it.

      As a man grows old he wants amusement, more even than when he is

      young; and then it becomes so difficult to find amusement. Reading

      should, no doubt, be the delight of men's leisure hours. Had I to

      choose between books and cards, I should no doubt take the books.

      But I find that I can seldom read with pleasure for above an hour

      and a half at a time, or more than three hours a day. As I write

      this I am aware that hunting must soon be abandoned. After sixty

      it is given but to few men to ride straight across country, and I

      cannot bring myself to adopt any other mode of riding. I think that

      without cards I should now be much at a loss. When I began to play

      at the Garrick, I did so simply because I liked the society of the

      men who played.

      I think that I became popular among those with whom I associated.

      I have long been aware of a certain weakness in my own character,

      which I may call a craving for love. I have ever had a wish to be

      liked by those around me,--a wish that during the first half of

      my life was never gratified. In my school-days no small part of my

      misery came from the envy with which I regarded the popularity of

      popular boys. They seemed to me to live in a social paradise, while

      the desolation of my pandemonium was complete. And afterwards,

      when I was in London as a young man, I had but few friends. Among

      the clerks in the Post Office I held my own fairly for the first

      two or three years; but even then I regarded myself as something of

      a pariah. My Irish life had been much better. I had had my wife and

      children, and had been sustained by a feeling of general respect.

      But even in Ireland I had in truth lived but little in society.

      Our means had been sufficient for our wants, but insufficient for

      entertaining others. It was not till we had settled ourselves at

      Waltham that I really began to live much with others. The Garrick

      Club was the first assemblage of men at which I felt myself to be

      popular.

      I soon became a member of other clubs. There was the Arts Club in

      Hanover Square, of which I saw the opening, but from which, after

      three or four years, I withdrew my name, having found that during

      these three or four years I had not once entered the building.

      Then I was one of the originators of the Civil Service Club--not

      from judgment, but instigated to do so by others. That also I left

      for the same reason. In 1864 I received the honour of being elected

      by the Committee at the Athenaeum. For this I was indebted to the

      kindness of Lord Stanhope; and I never was more surprised than when

      I was informed of the fact. About the same time I became a member

      of the Cosmopolitan, a little club that meets twice a week in

      Charles Street, Berkeley Square, and supplies to all its members,

      and its members' friends, tea and brandy and water without charge!

      The gatherings there I used to think very delightful. One met

      Jacob Omnium, Monckton Mimes, Tom Hughes, William Stirling, Henry

      Reeve, Arthur Russell, Tom Taylor, and such like; and generally

      a strong political element, thoroughly well mixed, gave a certain

      spirit to the place. Lord Ripon, Lord Stanley, William Forster,

      Lord Enfield, Lord Kimberley, George Bentinck, Vernon Harcourt,

      Bromley Davenport, Knatchbull Huguessen, with many others, used to

      whisper the secrets of Parliament with free tongues. Afterwards I

      became a member of the Turf, which I found to be serviceable--or

      the reverse--only for the playing of whist at high points.

      In August, 1861, I wrote another novel for the Cornhill Magazine.

      It was a short story, about one volume in length, and was called

      The Struggles of Brown, Jones, and Robinson. In this I attempted a

      style for which I certainly was not qualified, and to which I never

      had again recourse. It was meant to be funny, was full of slang,

      and was intended as a satire on the ways of trade. Still I think

      that there is some good fun it it, but I have heard no one else

      express such an opinion. I do not know that I ever heard any opinion

      expressed on it, except by the publisher, who kindly remarked

      that he did not think it was equal to my usual work. Though he had

      purchased the copyright, he did not republish the story in a book

      form till 1870, and then it passed into the world of letters sub

      silentio. I do not know that it was ever criticised or ever read.

      I received (pounds)600 for it. From
    that time to this I have been paid at

      about that rate for my work--(pounds)600 for the quantity contained in

      an ordinary novel volume, or (pounds)3000 for a long tale published in

      twenty parts, which is equal in length to five such volumes. I have

      occasionally, I think, received something more than this, never

      I think less for any tale, except when I have published my work

      anonymously. [Footnote: Since the date at which this was written

      I have encountered a diminution in price.] Having said so much, I

      need not further specify the prices as I mention the books as they

      were written. I will, however, when I am completing this memoir,

      give a list of all the sums I have received for my literary labours.

      I think that Brown, Jones and Robinson was the hardest bargain I

      ever sold to a publisher.

      In 1861 the War of Secession had broken out in America, and from

      the first I interested myself much in the question. My mother

      had thirty years previously written a very popular, but, as I had

      thought, a somewhat unjust book about our cousins over the water.

      She had seen what was distasteful in the manners of a young people,

      but had hardly recognised their energy. I had entertained for

      many years an ambition to follow her footsteps there, and to write

      another book. I had already paid a short visit to New York City and

      State on my way home from the West Indies, but had not seen enough

      then to justify me in the expression of any opinion. The breaking

      out of the war did not make me think that the time was peculiarly

      fit for such inquiry as I wished to make, but it did represent itself

      as an occasion on which a book might be popular. I consequently

      consulted the two great powers with whom I was concerned. Messrs.

      Chapman & Hall, the publishers, were one power, and I had no difficulty

      in arranging my affairs with them. They agreed to publish the book

      on my terms, and bade me God-speed on my journey. The other power

      was the Postmaster-General and Mr. Rowland Hill, the Secretary of

      the Post Office. I wanted leave of absence for the unusual period

      of nine months, and fearing that I should not get it by the ordinary

      process of asking the Secretary, I went direct to his lordship.

      "Is it on the plea of ill-health?" he asked, looking into my face,

      which was then that of a very robust man. His lordship knew the

     


    Prev Next
Online Read Free Novel Copyright 2016 - 2026