Miriam Cait seeks love, or rather, her friend seeks it for her. Her friend’s latest date suggestion is refused on account of his dark eyes. There’s something not quite right with them, and Miriam soon finds out why when he comes knocking on her door, and knocking her out.Miriam Cait seeks love, or rather, her friend seeks it for her. Her friend’s latest date suggestion is refused on account of his dark eyes. There’s something not quite right with them, and Miriam soon finds out why when he comes knocking on her door, and knocking her out.Miriam wakes up from the confrontation with more than just a headache. Shackles cover her ankles and wrists, and she’s on her way to being auctioned off to a bunch of self-proclaimed dragon lords. It all seems too fantastic to be real, but as the evidence starts mounting against sanity Miriam realizes she may be in deeper trouble than she thought.

A classic Victorian adventure into the realm of the unknown"She" is Ayesha, the mysterious white queen of a Central African Tribe and the goal of three English gentlemen, who must face shipwreck, fever, and cannibals in their quest to find her hidden realm. First published in 1887, She has enthralled the imaginations of many-from Freud, who prescribed the book to one of his patients, to the generations of readers, who remain fascinated by the book's revealing and fantastic representations of dangerous women, adventuring men, and unexplored Africa.Available for the first time from Penguin Classics, edited by Patrick Brantlinger, this edition of one of the most famous works of popular literature includes a critical introduction, suggestions for further reading, and explanatory notes.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In her strongest work to date, Lois Lowry once again creates a mysterious but plausible future world. It is a society ruled by savagery and deceit that shuns and discards the weak. Left orphaned and physically flawed, young Kira faces a frightening, uncertain future. Blessed with an almost magical talent that keeps her alive, she struggles with ever broadening responsibilities in her quest for truth, discovering things that will change her life forever. As she did in The Giver, Lowry challenges readers to imagine what our world could become, and what will be considered valuable. Every reader will be taken by Kira's plight and will long ponder her haunting world and the hope for the future.

24-year old Pax Tate is an asshole. Seriously. He’s a tattooed, rock-hard bad-boy with a bad attitude to match. But he’s got his reasons. His mother died when Pax was seven, leaving a hole in his heart filled with guilt although he doesn’t understand why. What he does know is that he and his dad are left alone and with more issues than they can count. As Pax grew up, he tried to be the kid his father always wanted; the perfect golden boy, but it didn’t work. His dad couldn’t overcome his grief long enough to notice and Pax couldn’t keep up the impossible perfect façade. So he slipped far, far from it. Now, he uses drugs and women to cope with the ugliness, the black void that he doesn’t want to deal with. If he pretends that the emptiness isn’t there, then it isn’t, right? Wrong. And it’s never more apparent than when he meets Mila. Sweet, beautiful Mila Hill is the fresh air to his hardened frown, the beauty to his ugly heart. He doesn’t know how to not hurt her, but he quickly realizes that he’s got to figure it out because he needs her to breathe. When memories of his mother’s death resurface from where he’s repressed them for so long, Mila is there to catch him when the guilt starts making sense. Mila is the one…the one who can save him from his broken troubled heart; from his issues, from the emptiness. But only if he can stop being an asshole long enough to allow it. He knows that. And he’s working on it. But is that enough to make her stay?

Samantha and Mason are together. Everyone knows it. Not everyone is dealing with it. While Mason’s ready to give them the middle finger, there’s one not going away. Her mother. Threats are issued. Ultimatums are given. Even blackmail is used, but only Samantha can put a stop to Analise. However, when a trauma from her past is triggered, she may not have the courage or strength to do what’s needed. If she doesn’t, Mason’s future could be destroyed.

To save her mother's life, Clary must travel to the City of Glass, the ancestral home of the Shadowhunters - never mind that entering the city without permission is against the Law, and breaking the Law could mean death. To make things worse, she learns that Jace does not want her there, and Simon has been thrown in prison by the Shadowhunters, who are deeply suspicious of a vampire who can withstand sunlight. As Clary uncovers more about her family's past, she finds an ally in mysterious Shadowhunter Sebastian. With Valentine mustering the full force of his power to destroy all Shadowhunters forever, their only chance to defeat him is to fight alongside their eternal enemies. But can Downworlders and Shadowhunters put aside their hatred to work together? While Jace realizes exactly how much he's willing to risk for Clary, can she harness her newfound powers to help save the Glass City - whatever the cost?

"COME TO AMERICA. YOUR HOME IS WITH ME NOW."Adelia Cunnane's uncle had written her. So Adelia had left Ireland to join him on what he had described as the finest horse farm in Maryland.Adelia agreed with her uncle about the farm. But what should she think about its owner, Travis Grant?She knew that he could master his strongest horse. She had seen his eyes soften at the birth of a foal. Yet his lips on hers demanded a submission that she was not yet ready to give -- at least not until he had spoken the words she had to hear.

Sometimes in life you have to walk away . . .Leaving Jamie Cole was the hardest thing Ellie Pearce ever had to do. Somehow, she moved on. She made a new life in a new city with a new man. So when a family tragedy calls Ellie back home, she believes all her old feelings for Jamie - the hunger, the heat, the heartbreak - are safely behind her. But the second she lays eyes on him, the intensity of their connection is as strong as ever.Sometimes you stay and fight . . .Jamie knows pain. He's felt it fighting in the streets, and he felt it fighting to survive in prison. Yet nothing he's experienced has been as painful as the day Ellie left - until the moment she came back. This time Jamie is determined to hold on to Ellie forever. But as much as she still loves him, she can't ignore the dark world he's now a part of. Jamie has enemies. Dangerous ones. And after seeing Jamie with Ellie, they know exactly how to take him out . . .

This book chronicles the unforgettable account of one of the most severe child abuse cases in California history. It is the story of Dave Pelzer, who was brutally beaten and starved by his emotionally unstable, alcoholic mother: a mother who played tortuous, unpredictable games--games that left him nearly dead. He had to learn how to play his mother's games in order to survive because she no longer considered him a son, but a slave; and no longer a boy, but an "it." Dave's bed was an old army cot in the basement, and his clothes were torn and raunchy. When his mother allowed him the luxury of food, it was nothing more than spoiled scraps that even the dogs refused to eat. The outside world knew nothing of his living nightmare. He had nothing or no one to turn to, but his dreams kept him alive--dreams of someone taking care of him, loving him and calling him their son.

Flirting with the Grave... Half-vampire Catherine Crawfield is going after the undead with a vengeance, hoping that one of these deadbeats is her father - the one responsible for ruining her mother's life. Then she's captured by Bones, a vampire bounty hunter, and is forced into an unholy partnership. In exchange for finding her father, Cat agrees to train with the sexy night stalker until her battle reflexes are as sharp as his fangs. She's amazed she doesn't end up as his dinner - are there actually good vampires? Pretty soon Bones will have her convinced that being half-dead doesn't have to be all bad. But before she can enjoy her newfound status as kick-ass demon hunter, Cat and Bones are pursued by a group of killers. Now Cat will have to choose a side . . . and Bones is turning out to be as tempting as any man with a heartbeat.

A missing little girl named Maggie Rose. A family of three brutally murdered in the projects of Washington, D.C. The thrill-killing of a beautiful elementary school teacher. A psychopathic serial kidnapper/murderer who calls himself the Son of Lindbergh. He is so terrifying that the FBI, the Secret Service, and the police cannot outsmart him - even after he's been captured. Gary Soneji is a mild-mannered mathematics teacher at a Washington, D.C., private school for the children of the political and social elite. He's so popular that the kids all call him "Mr. Chips." And he's very, very smart. Growing up, he always knew he was smarter than the rest of them - he knew that the Great Ones always fooled everybody. He kidnaps Maggie Rose, the golden-haired daughter of a famous movie actress, and her best friend, Shrimpie Goldberg, the son of the secretary of the treasury, right out from under the noses of their two Secret Service agents. But Gary Soneji is not surprised at his skill. He's done it before. Hundreds of times before. Alex Cross is a homicide detective with a Ph.D. in psychology. he looks like Muhammad Ali in his prime. Cross works and lives in the ghettos of D.C. He's a tough guy from a tough part of town who wears Harris Tweed jackets and likes to relax by banging out Gershwin tunes on his baby grand piano. He has two adorable kids of his own. They are his own special vulnerabilities. Jezzie Flanaganis the first woman ever to hold the highly sensitive job as supervisor of the Secret Service in Washington. Blond, mysterious, seductive, she's got an outer shell that's as tough s it is beautiful. She rides her black BMW motorcycle at speeds of no less than 100 mph. What is she running from? What is her secret? Alex Cross and Jezzie Flanagan are about to have a forbidden love affair-at the worst possible time for both of them. Because Gary Soneji, who wants to commit the "crime of the century," is playing at the top of his game. The latest of the unspeakable crimes happened in Alex Cross's precinct. They happened under the protection of Jezzie Flanagan's men. Now Soneji is at large again, still wreaking havoc. Alex Cross must face the ultimate test as a psychologist: how do you outmaneuver a brilliant psychopath? Especially one who appears to have a split personality - one who won't let the other half remember those horrific acts? Soneji has outsmarted the FBI, the Secret Service, and the police. Who will be his next victim? Gary Soneji is every parent's worst nightmare. He has become Alex Cross's nightmare. And now, reader, he's about to become yours.

The DreamShe is twenty, beautiful, dirt-poor, and hoping for a better life for her infant daughter when LuAnn Tyler is offered the gift of a lifetime, a $100 million lottery jackpot. All she has to do is change her identity and leave the U.S. forever.The KillerIt's an offer she dares to refuse...until violence forces her hand and thrusts her into a harrowing game of high-stakes, big-money subterfuge. It's a price she won't fully pay...until she does the unthinkable and breaks the promise that made her rich.The WinnerFor if LuAnn Tyler comes home, she will be pitted against the deadliest contestant of all: the chameleonlike financial mastermind who changed her life. And who can take it away at will...

Tobin Hale knew that it would raise eyebrows when he moved in with octogenarian Garnet Evans, but he didn’t see another way to protect her from the son who’s railroading her out of her own home. He just didn’t realize it would raise hackles with Jade—Garnet’s fiery, beautiful granddaughter. Jade Evans doesn’t care that Tobin is the hottest man she’s ever seen; his rugged looks and sweet-talking ways only make her all the more certain that he must be up to no good. When the cowboy digs in his boot heels and refuses to leave, she’s all the more determined to be there to protect her grandmother—no matter how close the quarters with the stubborn, sexy man. But once Jade sees firsthand the hardworking, fiercely loyal man Tobin is, the only thing that needs protecting is her own heart…

A vicious fifteen-year-old "droog" is the central character of this 1963 classic, whose stark terror was captured in Stanley Kubrick's magnificent film of the same title. In Anthony Burgess's nightmare vision of the future, where criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. *A Clockwork Orange* is a frightening fable about good and evil, and the meaning of human freedom. When the state undertakes to reform Alex—to "redeem" him—the novel asks, "At what cost?" This edition includes the controversial last chapter not published in the first edition and Burgess's introduction "A Clockwork Orange Resucked".

One woman's campaign to win the hearts of the two men she loves. Jasmine left the Sweetwater Ranch and the Morgan brothers, no longer able to bear the painful dilemma of loving them both. After a year away, in which she gains new perspective, she returns home with one goal. To make Seth and Zane Morgan hers. Jaz may have left an innocent girl, but she's returned a beautiful, sensual woman. Seth and Zane arent prepared for the full on assault she launches and each battle an attraction they've fought for years. She wants them both, but Seth has no intention of sharing his woman. It's up to her to change his mind because she can't and won't choose between two men she loves with equal passion. For her, it's all or nothing.

Soar above the fossil seas and crystal pillars of a deadworld in the pages of Ray Bradbury’s *The Martian Chronicles. *A milestoneof American literature, Bradbury’s classic collection of interconnectedvignettes about life on the red planet diverges from the *War of the Worlds *theme,in which humanity must defend its shores against its neighbors, for in Bradbury’sprismatic vision, humanity is the conqueror, colonizing Mars to escape an Earthdevastated by atomic war and environmental catastrophe. Bradbury’s *TheMartian Chronicles *is a must-read for any fan of science fiction orfantasy, a crucial precursor to films like *Avatar *and *Alien* andbooks like Kim Stanley Robinson’s *Red Mars *and Dan Simmons’ *Hyperion*,and a haunting prophesy of humanity’s destiny to bring our old dreams andfollies along with us wherever we may venture forth.

“A true classic of world literature . . . A masterpiece that has inspired generations of writers in Nigeria, across Africa, and around the world.”  —**Barack Obama  Nominated as one of America’s best-loved novels by PBS’s The Great American Read*** Things Fall Apart is the first of three novels in Chinua Achebe's critically acclaimed African Trilogy. It is a classic narrative about Africa's cataclysmic encounter with Europe as it establishes a colonial presence on the continent. Told through the fictional experiences of Okonkwo, a wealthy and fearless Igbo warrior of Umuofia in the late 1800s, Things Fall Apart *explores one man's futile resistance to the devaluing of his Igbo traditions by British political andreligious forces and his despair as his community capitulates to the powerful new order. With more than 20 million copies sold and translated into fifty-seven languages, Things Fall Apart provides one of the most illuminating and permanent monuments to African experience. Achebe does not only capture life in a pre-colonial African village, he conveys the tragedy of the loss of that world while broadening our understanding of our contemporary realities. **Amazon.com Review One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and after the coming of colonialism. First published in 1958, just two years before Nigeria declared independence from Great Britain, the book eschews the obvious temptation of depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and has arrived, finally, at great prosperity and even greater reputation among his fellows in the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to three wives and father to several children. He is also a man who exhibits flaws well-known in Greek tragedy: Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate than the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo's fear was greater than these. It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father. And yet Achebe manages to make this cruel man deeply sympathetic. He is fond of his eldest daughter, and also of Ikemefuna, a young boy sent from another village as compensation for the wrongful death of a young woman from Umuofia. He even begins to feel pride in his eldest son, in whom he has too often seen his own father. Unfortunately, a series of tragic events tests the mettle of this strong man, and it is his fear of weakness that ultimately undoes him. Achebe does not introduce the theme of colonialism until the last 50 pages or so. By then, Okonkwo has lost everything and been driven into exile. And yet, within the traditions of his culture, he still has hope of redemption. The arrival of missionaries in Umuofia, however, followed by representatives of the colonial government, completely disrupts Ibo culture, and in the chasm between old ways and new, Okonkwo is lost forever. Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture. --Alix Wilber From Library Journal Peter Frances James offers a superb narration of Nigerian novelist Achebe's deceptively simple 1959 masterpiece. In direct, almost fable-like prose, it depicts the rise and fall of Okonkwo, a Nigerian whose sense of manliness is more akin to that of his warrior ancestors than to that of his fellow clansmen who have converted to Christianity and are appeasing the British administrators who infiltrate their village. The tough, proud, hardworking Okonkwo is at once a quintessential old-order Nigerian and a universal character in whom sons of all races have identified the figure of their father. Achebe creates a many-sided picture of village life and a sympathetic hero. A good recording of this novel has been long overdue, and the unhurried grace and quiet dignity of James's narration make it essential for every collection.?Peter Josyph, New York Copyright 1998 Reed Business Information, Inc.

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*Breakfast of Champions,* is vintage Vonnegut. One of his favorite characters, aging writer Kilgore Trout, finds to his horror that a Midwest car dealer is taking his fiction as truth. The result is murderously funny satire as Vonnegut looks at war, sex, racism, success, politics, and pollution in America and reminds us how to see the truth. *From the Trade Paperback edition.*

This extraordinary historical novel, set in Medieval Paris under the twin towers of its greatest structure and supreme symbol, the cathedral of Notre-Dame, is the haunting drama of Quasimodo, the hunchback; Esmeralda, the gypsy dancer; and Claude Frollo, the priest tortured by the specter of his own damnation. Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.

**Edith Grossman's definitive English translation of the Spanish masterpiece, in an expanded P.S. edition** Widely regarded as one of the funniest and most tragic books ever written, *Don Quixote* chronicles the adventures of the self-created knight-errant Don Quixote of La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. You haven't experienced *Don Quixote* in English until you've read this masterful translation. This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.