The author of Conversations with a Fat Girl—optioned for HBO—returns with the hilarious and heartfelt story of a woman who must learn how to be the heroine of her own life—a journey that will teach her priceless lessons about love, friendship, family, work, and her own heart.An account executive in a Mad Men world, Anna Wyatt is at a crossroads. Recently divorced, she's done a lot of emotional housecleaning, including a self-imposed dating sabbatical. But now that she's turned forty, she's struggling to figure out what her life needs. Brainstorming to win over an important new client, she discovers a self-help book—Be the Heroine, Find Your Hero—that offers her unexpected insights and leads her to a most unlikely place: a romance writers' conference. If she can sign the Romance Cover Model of the Year Pageant winner for her campaign—and meet the author who has inspired her to take control of her life—she'll win the account.
Albert Paine was a late 19th and early 20th century American author who remains best known today for collaborating with Mark Twain on a number of books.
This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
Volume: 2 Publisher: London Printed for J.J. Stockdale Publication date: 1811 Notes: This is an OCR reprint. There may be typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.
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Wreck of Winstanley’s Lighthouse. “At mischief again, of course: always at it.” Mrs Potter said this angrily, and with much emphasis, as she seized her son by the arm and dragged him out of a pool of dirty water, into which he had tumbled. “Always at mischief of one sort or another, he is,” continued Mrs Potter, with increasing wrath, “morning, noon, and night—he is; tumblin’ about an’ smashin’ things for ever he does; he’ll break my heart at last—he will. There: take that!” “That,” which poor little Tommy was desired to take, was a sounding box on the ear, accompanied by a violent shake of the arm which would have drawn that limb out of its socket if the child’s bones and muscles had not been very tightly strung together. Mrs Potter was a woman of large body and small brain. In respect of reasoning power, she was little better than the wooden cuckoo which came out periodically from the interior of the clock that stood over her own fireplace and announced the hours. She entertained settled convictions on a few subjects, in regard to which she resembled a musical box. If you set her going on any of these, she would harp away until she had played the tune out, and then begin over again; but she never varied. Reasons, however good, or facts, however weighty, were utterly powerless to penetrate her skull: her “settled convictions” were not to be unsettled by any such means. Men might change their minds; philosophers might see fit to alter their opinions; weaklings of both sexes and all ages might trim their sails in accordance with the gales of advancing knowledge, but Mrs Potter—no: never! her colours were nailed to the mast. Like most people who unite a strong will with an empty head, she was “wiser in her own conceit than eleven men that can render a reason:” in brief, she was obstinate. One of her settled convictions was that her little son Tommy was “as full of mischief as a hegg is full of meat.” Another of these convictions was that children of all ages are tough; that it does them good to pull them about in a violent manner, at the risk even of dislocating their joints. It mattered nothing to Mrs Potter that many of her female friends and acquaintances held a different opinion. Some of these friends suggested to her that the hearts of the poor little things were tender, as well as their muscles and bones and sinews; that children were delicate flowers, or rather buds, which required careful tending and gentle nursing. Mrs Potter’s reply was invariably, “Fiddlesticks!” she knew better. They were obstinate and self-willed little brats that required constant banging. She knew how to train ’em up, she did; and it was of no manner of use, it wasn’t, to talk to her upon that point. She was right. It was of no use. As well might one have talked to the wooden cuckoo, already referred to, in Mrs Potter’s timepiece. “Come, Martha,” said a tall, broad-shouldered, deep-voiced man at her elbow, “don’t wop the poor cheeld like that....
Samba lay face downwards upon the yellow sand, amid which his body shone in the sunlight like polished ebony. Behind, the rising bank was thick with trees and shrubs ablaze with colour, overspread with the delicate tracery of lianas and, creeping plants. Here was a spot of red, there a dash of orange; at intervals the pale yellow flowers of climbing gourds and the mauve blossoms of convolvuli peeped from the wall of vivid green. Tiny rills made music as they trickled through the foliage; and near at hand was a path trodden by herds of antelopes as they came to drink.
--This text refers to an alternate Paperback edition.
--This text refers to an alternate Paperback edition.