For centuries, the werewolves of Toronto have managed to live in peace and tranquility, hidden quietly away on their London, Ontario farm. But now, someone has learned their secret—and is systematically massacring this ancient race. The only one they can turn to is Henry Fitzroy, Toronto-based vampire and writer of bodice rippers. Forced to hide from the light of day, Henry can’t hunt the killer alone, so he turns to Vicki Nelson for help. As they race against time to stop the murderer, they begin to fear that their combined talents may not be enough to prevent him from completing his deadly plan.

Three children whirl back in time through an enchanted potter’s wheel into the reality of evacuation in 1940s Britain . . . Whirl of the Wheel pulls feisty Connie, her brother Charlie-Mouse, and school pest Malcolm into dangers on the homefront and towards a military operations secret that will save their home. The children hit trouble when Malcolm fails to return to the present day.

When a seed-merchant of cautious disposition and an eye to the main chance receives from an eminent firm of jam-manufacturers an extremely large order for clover-seed, his emotions are mixed. Joy may be said to predominate, but with the joy comes also uncertainty. Are these people, he asks himself, proposing to set up as farmers of a large scale, or do they merely want the seed to give verisimilitude to their otherwise bald and unconvincing raspberry jam? On the solution of this problem depends the important matter of price, for, obviously, you can charge a fraudulent jam disseminator in a manner which an honest farmer would resent. This was the problem which was furrowing the brow of Mr. Julian Fineberg, of Bury St. Edwards, one sunny morning when Roland Bleke knocked at his door; and such was its difficulty that only at the nineteenth knock did Mr. Fineberg raise his head. "Come in—that dashed woodpecker out there!" he shouted, for it was his habit to express himself with a generous strength towards the junior members of his staff. The young man who entered looked exactly like a second clerk in a provincial seed-merchant's office—which, strangely enough, he chanced to be. His chief characteristic was an intense ordinariness. He was a young man; and when you had said that of him you had said everything. There was nothing which you would have noticed about him, except the fact that there was nothing to notice. His age was twenty-two and his name was Roland Bleke. "Please, sir, it's about my salary." Mr. Fineberg, at the word, drew himself together much as a British square at Waterloo must have drawn itself together at the sight of a squadron of cuirassiers. "Salary?" he cried. "What about it? What's the matter with it? You get it, don't you?" "Yes, sir, but--" "Well? Don't stand there like an idiot. What is it?" "It's too much." Mr. Fineberg's brain reeled. It was improbable that the millennium could have arrived with a jerk; on the other hand, he had distinctly heard one of his clerks complain that his salary was too large. He pinched himself. "Say that again," he said. "If you could see your way to reduce it, sir--" It occurred to Mr. Fineberg for one instant that his subordinate was endeavoring to be humorous, but a glance at Roland's face dispelled that idea. "Why do you want it reduced?" "Please, sir, I'm going to be married." "What the deuce do you mean?" "When my salary reaches a hundred and fifty, sir. And it's a hundred and forty now, so if you could see your way to knocking off ten pounds--" Mr. Fineberg saw light. He was a married man himself. "My boy," he said genially, "I quite understand. But I can do you better than that. It's no use doing this sort of thing in a small way. From now on your salary is a hundred and ten. No, no, don't thank me. You're an excellent clerk, and it's a pleasure to me to reward merit when I find it. Close the door after you." And Mr. Fineberg returned with a lighter heart to the great clover-seed problem. The circumstances which had led Roland to approach his employer may be briefly recounted. Since joining the staff of Mr. Fineberg, he had lodged at the house of a Mr. Coppin, in honorable employment as porter at the local railway-station. The Coppin family, excluding domestic pets, consisted of Mr. Coppin, a kindly and garrulous gentleman of sixty, Mrs. Coppin, a somewhat negative personality, most of whose life was devoted to cooking and washing up in her underground lair, Brothers Frank and Percy, gentleman of leisure, popularly supposed to be engaged in the mysterious occupation known as "lookin' about for somethin'," and, lastly, Muriel.

Noah has a fierce crush on a hot jock on the high school football team whose locker is fifteen down from Noah's in the hall. When Melissa Bradshaw, only the most popular girl in school, suddenly shows an interest in Noah, he suspects he's being set up for a cruel joke.Noah Lipinski has a fierce crush on Doug Hathaway, a hot jock on the high school football team whose locker is fifteen down from Noah's in the hall. When Melissa Bradshaw, only the most popular girl in school, suddenly shows an interest in Noah, he suspects he's being set up for a cruel joke. She asks him to Homecoming and he refuses to go.After school, the doorbell rings and Noah's sure she's back to pester him about the dance. But when he opens the door, he finds Doug there instead, with an explanation and a much better offer than Melissa's.

Kate Ames is a young widow grieving the loss of her father, and finds herself dating a lawyer who reminds her of her father. When her house is broken into, Kate fears someone is following her and her questions of faith increase. She meets Mark, a committed Christian, who is determined to draw her back to her faith...but will he...before it's too late?Kate Ames is a young widow and a single mother, mourning the death of her father, with whom she and her son, Jason, had lived before his death. Her attorney, Lyle Montgomery, reminds Kate of her late husband, Tony, which she imagines is at least part of the reason that she dates him, though she resists his attempts to deepen the relationship. Kate suspects that someone is following her, but when her home is broken into, her fears deepen, as do her questions about her faith. It is on her way between her home in Cedar City, Utah, and her father’s cabin in the mountains that she meets Mark Thomas, the owner of the local Bible bookstore and a committed Christian who seems determined to draw Kate back to her faith. Caught in a web of danger as well as a relationship triangle, Kate must face her doubts and fears head on…before it’s too late.

Abby White was seven years old when she killed the monster under her bed. Now she slays creatures spawned by the imaginations of children, and the number of these nightmares are on the rise. Neither she nor her guide - a stuffed hippo named Tawa - know why. With a gorgeous fae fighting at her side, she must avoid distraction and find a way to become truly fearless.Abby White was seven years old when she killed the monster under her bed. Now she slays creatures spawned by the fertile imaginations of children, and the number of these nightmares are on the rise. Neither she nor her guide - a stuffed hippo named Tawa - know why.When she rescues Demetrius from an iron prison, he pledges his life to protect hers until he can return the favor. She doesn't want the help. And how can she concentrate on her job when the gorgeous wild fae throws himself in front of her during every fight? No matter how tempting, she can't take the time to lose herself to him.To save the children and all she loves, Abby must be truly Fearless.

Effected Intent is a bioterrorism meets cyber thriller with an unlikely protagonist at the center of the story.Steve Pfister is a reticent polymer chemist who lives in the past, unable to let go of his military experience. His latest invention gets the attention of some high level government officials, leading to an opportunity to work on a top secret project with national security implications.Life couldn’t be more routine for computer programmer Bill Miller, until he stumbles on information that he shouldn’t have, including a bioterrorism plot. Unable to come forward with the information, he needs to find an ally to believe him before it’s too late.

The New York Times bestselling new novel about modern family lives from the author of Everything Is Illuminated and *Extremely Loud and Incredibly Close* Discover Jonathan Safran Foer's greatest novel yet. 'Towering and glorious: a tale of social, familial and marital breakdown and the End of the World. The funniest literary novel I have ever read' *The Times* ****Jacob and Julia Bloch are about to be tested . . . By Jacob's grandfather, who won't go quietly into a retirement home. By the family reunion, that everyone is dreading. By their son's heroic attempts to get expelled. And by the sexting affair that will rock their marriage. A typical modern American family, the Blochs cling together even as they are torn apart. Which is when catastrophe decides to strike . . . Confronting the enduring question of what it means to be human with inventiveness, playfulness and compassion, Here I Am is a great American family novel for our times, an unmissable read for fans of Jonathan Franzen and Michael Chabon, a masterpiece about how we live now. 'A rich, beautifully written, ambitious and grandly moving novel, which looks both at the world at large and at the deepest concerns of individual lives' Evening Standard 'Lays bare the interior of a marriage with such intelligence and deep feeling and pitiless clarity, it's impossible to read it and not re-examine your own family' *Time* 'Astonishing. So sad and so funny and so wry' *Scotland on Sunday* **Amazon.com Review An Amazon Best Book of September 2016: Jonathan Safran Foer is back (after eleven years) and may be better than ever. While Everything Is Illuminated remains one of my favorite books, Here I Am will also be added to the list. Classic JSF with a powerfully personal touch, this novel will make you laugh, challenge your perceptions, and truly just impress. Here I Am follows an already fragile family in crisis, and examines how they approach their fractured marriage through their religious identity as Jewish Americans and Israelis, as well as how each individual within a relationship takes on specific roles, and why. Fans of JSF get ready to swoon, and to those who aren't fans yet--get ready to become one. --Penny Mann, The Amazon Book Review Review An Instant New York Times Bestseller A New York Times Notable Book of 2016 A Time Magazine Top 10 Novel of 2016 A Times Literary Supplement Best Book of 2016 A Goodreads Choice Awards Nominee for Fiction 2016 A Washington Post Best Book of the Year An Amazon.com Best Book of the Year Longlisted for the 2017 International Dylan Thomas Prize “Brilliant, always original . . . Certain set pieces . . . show a masterly sense of timing and structure and deep feeling . . . Foer strews small, semiprecious comic and gnomic gems all along the trail he is breaking . . Here I Am is not only the novel's title but also, maybe, an announcement of its ambitious and crazy-talented author's literary residence―an announcement that not only his location but his basic sensibility and very identity are to be found in this work.” ―Daniel Menaker, The New York Times Book Review “Here I Am is one of those books, like Middlemarch, or for that matter Gone Girl, which lays bare the interior of a marriage with such intelligence and deep feeling and pitiless clarity, it’s impossible to read it and not re-examine your own family, and your place in it.” —Lev Grossman, Time “[Here I Am] is an ambitious platter of intellection and emotion. Its observations are crisp; its intimations of doom resonate; its jokes are funny. Here I Am consistently lit up my pleasure centers . . . This is also Mr. Foer’s best and most caustic novel, filled with so much pain and regret that your heart sometimes struggles to hold it all . . . This book offers intensities on every page. Once put down it begs . . . to be picked back up . . . [Here I Am] has more teeming life in it than several hundred well-meaning and well-reviewed books of midlist fiction put together.” —The New York Times “Here I Am, Jonathan Safran Foer’s third novel, makes of his readers a battalion of Alices, constantly shrinking and growing as they fall prey to seductive narrative inducements. At one moment we are considering the rage that can simmer within a marriage, the next we’re pondering the imminent destruction of Israel – in the world of the novel, not imaginary but real. The minutiae of domestic life and individual idiosyncrasy are so involving . . . [And] its structure is more reflective of its themes and concerns than is at first apparent. The atomisation of its central family unit is deeply unsettling . . . For all this, Here I Am is endearingly funny, its one-liners and comic hyperboles undercutting its inherent melancholy. Set pieces delight . . . And it is also a novel about the inevitable and incomprehensible tragedy of the baton passing between generations.” ―Alex Clark, The Guardian "Foer writes like a dream. . . big-hearted, courageous and jaw-droppingly clever" ―Deborah Moggach, bestselling author of The Best Exotic Marigold Hotel “Emotional depth and dramatic maturity. . . Unarguably Foer's most substantial and impressive work yet.” —Herald “Here I Am is not an easy read; it’s an important one, as it reaches to the heart of so many issues—from family dynamics to politics—and is a fascinating study in intelligent, heartfelt writing that manages to capture the essence of life in 2016. Foer writes a multitude of jewel-like one-liners so poignant they’ll take your breath away  . . . The best thing about this book is its ability to mean different things to different people, whether you’re Jewish and understand every nuance or you’re simply a lover of literature. Either way, you’ll turn the last page knowing that someone else understands the sometimes searing pain of being alive and can also put it into words.” —Canadian Living* “Here I Am is a wondrous novel, one of the most memorable books in years. Jonathan Safran Foer is never intimidated by big, bold topics (Israel’s potential demise) but also unafraid to grapple with one of the oldest but smallest themes of Western literature (“Happy families are all alike; every unhappy family is unhappy in its own way”). There’s no American novelist today who writes so profoundly about teenage angst (especially boys), about the dynamics of closely-knit families, about sibling relationships, about parental fears of failure with their children. Nor is there anyone who writes dialogue (quick repartee, puns, intentional non sequiturs, irony and put-downs) as well as Foer . . . Jonathan Safran Foer has reinvented the novel about the American Jewish experience. His works are the rightful heir to the novels by Bernard Malamud and Saul Bellow, deceased, and Philip Roth, who has said he has stopped writing.” ―Charles R. Larson, Counterpunch "[A] startling and urgent novel . . . There are scenes so sad and so funny and so wry that I texted a friend repeatedly as I was reading it, just to say “goodness me!” . . . [T]he soul, if you will, of this novel is not in its technique, but in its soulfulness. It is a novel about why we love and how we love and how we might stop loving. It is humane in that no character is a caricature. Foer has become the novelist we deserve . . . [He has] stretched and expanded the possibilities of the novel without losing either intellectual integrity or emotional honesty. Here I Am is not just bold, it is brave . . . That this book is not on the Man Booker shortlist is nothing short of a disgrace: it will be remembered when all the second-rate crime fiction and dinner party novels are long forgotten.” ―Stuart Kelly, The Scotsman* (UK) “Foer tests his own boundaries of spirituality and sexuality, ambition and sacrifice, originality and influence, revisiting themes and techniques from his earlier books. With this novel, he is stepping up to compete for his place in literary history . . . Foer rises to the rhetorical challenges of this plot, paying full attention to its comic, apocalyptic, psychological, emotional and historic possibilities. It’s an exciting, masterful performance and his energy and power of invention never flags. ” ―Elaine Showalter, Prospect (UK) “A substantial, engaging novel, full of suspense, searching and humor, calling upon its readers, in turn, to locate themselves with respect to the intimate portrait it draws of families responding to personal and political crises.” ―John Goldbach, The Globe and Mail “A rich, beautifully written, ambitious and grandly moving novel, which looks both at the world at large and at the deepest concerns of individual lives.” ―Evening Standard “Funny scenes and characters leaven the melancholy of Here I Am, as it chronicles the way small problems in a marriage can amass until they devastate . . . Foer, who first won readers over with youthful exuberance, now proves he can write just as well about growing older. Here I Am is a stunner of a family saga.” ―Jenny Shank, Dallas Morning News “Hilarious and heart-rending . . . Here I Am is the meticulous portrait of a family’s disintegration, but the ‘portrait’ in this case is far more cinematic than painterly, hopping back and forth in time and from consciousness to consciousness to create a dynamic narrative full of painfully real characters.” ―Daniel Akst, Newsday “Brilliant . . . The book ends on a sorrowful and deeply poignant scene, but even the moments of pain and loss do not diminish the vital spirit, so authentically Jewish, that is the real glory of Here I Am.” ―Jonathan Kirsch, Jewish Journal “[Foer] imbues Here I Am with raw emotion and genuine empathy. Jacob is a sympathetic character, his story hums with energy.” ―Trine Tsouderos, The Chicago Tribune “There is an undeniable joy to be had in reading Foer’s textured, playful prose.” ―Constance Grady, Vox “It is a towering and glorious thing . . . It is also, possibly, the funniest literary novel I have ever read.” *—The Times  “Hilarious and heart-rending . . . Here I Am is the meticulous portrait of a family’s disintegration, but the ‘portrait’ in this case is far more cinematic than painterly, hopping back and forth in time and from consciousness to consciousness to create a dynamic narrative full of painfully real characters.” —Newsday “Highly enjoyable and extremely funny . . . Foer delivers pleasingly pithy formulations and clear-eyed analysis of the Blochs’ intricately painful break-up . . . After a year full of unnecessarily bloated books it is a joy to read one that actually merits the space. Safran Foer is an absolute master of his fictional universe. In Here I Am he has found a place to put anything and everything. This is a true holdall, a glorious carpetbag of a novel with room for jokes, anecdotes, riffs, memories, speeches, theories, digressions and all number of odds and ends. There is also room for long, brilliant jokes, extended bouts of moral juggling, and some truly great lists. Safran Foer really has remembered it all, and put it to dazzling good use.” —Times Literary Supplement  “A soulful search to find the meaning in life and a faith no longer taken for granted . . . [Foer] has written a thoughtful exploration of what it means to be Jewish in America today—and whether it should mean more than it often does.” —Houston Chronicle* “Foer's intensely imagined and richly rewarding novel . . . is a teeming saga of members of the [Bloch] family . . . Throughout, his dark wit drops in zingers of dialogue, leavening his melancholy assessments of the loneliness of human relationships and a world riven by ethnic hatred. He poses several thorny moral questions, among them how to have religious faith in the modern world, and what American Jews' responsibilities are toward Israel. That he can provide such a redemptive denouement, at once poignant, inspirational, and compassionate, is the mark of a thrillingly gifted writer” —Publishers Weekly (starred review) “A far longer, edgier, and more caustically funny tale than Everything Is Illuminated and Extremely Loud and Incredibly Close. . . for all [Foer’s] focus on familial intricacy (including attachment to an aging dog), intellectual musings, rogue eroticism, and various neuroses, Foer is also grappling with the larger forces of anti-Semitism and war . . . [This] polyphonic and boldly comedic tale of one family’s quandaries astutely and forthrightly confronts humankind’s capacity for the ludicrous and the profound, cruelty and love.” —Booklist (starred review) “A big, bombastic celebration of the smallness of life.” —A.O. Scott, *The Atlantic “An unflinching, tender appraisal of cultural displacement in an uncertain age.” —The Economist* “This richly conceived work [is] more than another tale of marital woe . . . Rigorous questions within an accessible story; highly recommended.” —Library Journal (starred review) “A darkly hilarious mile-a-minute novel” —The Guardian “Here I Am signals the accomplishment of a writer in full control of his extraordinarily creative imagination, who has become comfortable with pushing the conventions of fiction to reveal how ordinary people respond to their fracturing world . . . In Here I Am, the irresistible narrative gymnastics are as energetic and dazzling as ever and are in full service of a big, important novel from a confident, mature writer.” *—Shelf Awareness “Dazzling . . . A profound novel about the claims of identity, history, family, and the burdens of a broken world.” —NPR “The omission of Jonathan Safran Foer’s Here I Am from the Man Booker longlist struck me as one of those typically inexplicable quirks; in literature, as Anatole France said, as in love we are always surprised by the choices of others. It is both an ambitious and moving novel; in part a forensic dissection of a family riven with problems, in part a speculative political thriller in which the very existence of Israel is threatened. As a portrait of a marriage where affection remains but desire has evaporated, it is devastating.” —Stuart Kelly, Times Literary Supplement  “Foer seek[s] to shock us and make us laugh, and he succeeds at both.” —Jewish Journal * “A rambunctious tour de force of inventive and intelligent storytelling...Foer can place his reader's hand on the heart of human experience, the transcendent beauty of human connections. Read, you can feel the life beating.” —Philadelphia Inquirer on *Everything Is Illuminated “Here I Am validates [Jonathan Safran Foer]'s status as one of our generation's great American novelists . . . the story thrives on Foer's uncanny ability to cunningly fold the perceptual sets of multiple generations into a modern national epic.” ―Dan Frazier, Nylon* “[Foer's] writing has taken on a sly maturity that feels fresh and new. Here I Am is destined to be a polarizing, much-discussed novel. Love it or hate it, it is well worth your time.” ―Ian Schwartz, BookPage “[Foer] thinks with intensity and nuance about subjects that are hard because they are big.” ―Gemma Sief, Bookforum “A book that is as humorous as it is tragic which is to say, at its best, a mirror of life as we actually live it.” ―Geraldine Brooks, Moment “Foer is brilliant on the quotidian tortures of marital discord.” ―Alex Preston, The Observer (UK) “Brilliantly funny, stealthily heart-crushing.” ―W Magazine "[Here I Am] is at once painfully honest and genuinely hilarious―and full of emotional surprises that will leave you reeling.” ―Elle “Dialogue pings, as animated as an Aaron Sorkin script, and is often, very, very funny.” ―Jonathan Dean, Sunday Times (UK) “[Here I Am] showcases Foer's emotional dexterity even as it takes place across a wider canvas than his previous books . . . This is great stuff, written with the insight of someone who has navigated the crucible of family, who understands how small slights lead to crises, the irreconcilability of love . . . Sharply observed.” ―Kirkus Reviews “A brilliant, heart-breaking novel of marriage, children and the state of the world that will make you laugh so much you will be forced to read pieces out loud to somebody” –The Irish Times

This is a continuation of Maya Angelou's personal story, begun so unforgettably in her bestselling I Know Why the Caged Bird Sings. It is full of memorable people and charged with a life-giving quality that marks Maya Angelou's writing.

Ben falls for Caroline in the Outer Banks, dealing with her stalker ex-boyfriend as Hurricane Irene looms, a storm that will completely change their lives.In Avon, a beach town along the Outer Banks of North Carolina, Ben is falling fast for the beautiful and intelligent Caroline, even as they both deal with her stalker ex-boyfriend who has followed her south on vacation. As Ben learns the depths of the other man's madness his and Caroline's relationship runs into another wall, level 3 Hurricane Irene moving quickly toward the Outer Banks. When the storm arrives, all of their lives will be drastically changed. How will they learn to cope with the consequences? When they are tested with a disaster on the brink of their comprehension, how will they pick up the pieces of their lives?

Book One of the Lenna series.Dragons. Robots. A kidnapping. A journey across the North Sea. A twelve-year-old girl with strange powers. And an ancient family of Irish immortals.Book One of the Lenna series. A regular day of carrying pig slop on the Icelandic dragon farm turns terrifying when twelve-year-old Lenna walks in on the old farm caretaker, Brugda, summoning up a prophetic vision of a dark future. Lenna is sent to visit the farm’s owner, deadly quiet Lady Joukka Pelata. She reveals tantalizing glimpses of the girl’s past and the possibilities for her future, hinting at how important she could become. The night gets stranger still as the world transforms into a glittering, crystalline place of wooden robots and shifting skies. But Lenna hardly sees the new, enchanted world around her as she dwells on her damaged relationships. She can’t escape the feeling that there are deeply hidden secrets surrounding Brugda and the quiet farmhands.

Rusty Dickinson was sent to the United States from England at the age of seven in 1940 to survive the war. When she returns in 1945, she finds a country and a family she neither understands nor likes, and vice versa.

Lunch Time Surprise is the conversation between a young married woman and a stranger in a lift that has stopped between floors. The stress the encounter has on them both and her husband on the other side of the lift door leads to an unsuspected twist in the tail.After a daring robbery, Lauren, a professional thief and sometimes mage, finds himself on the run from the monstrous Devildins as he tries to warn others about the invasion. Unfortunately, the one person he has to convince happens to be the person he just robbed.This story is one of many in the Tales from Another Place (TFAP) story universe.

These poems were written to express some thoughts, some emotions, and some stories.The time was 1969, the place Vietnam. 2nd Lt. Frank Desio and his men were involved in a massacre in a small village near Bon Son and a subsequent cover up. Twenty five years later the remaining members of the platoon, known by their secret club name “The Magnificent Seven,” are being mysteriously and systematically murdered. Detectives John Carson and Chuck Brown follow the trail of a murderer that leads them through numerous twists and turns ending in a bizarre conclusion.

The Order of the Soul has been disbanded for years, the sisterhood of the Warriors scattered to the winds. But when Makena wished to learn the Warrior's Way, Jhyssa took the young neophyte under her tutelage. Now the impossible has happened -- war has broken out in the land, and the battlecry sounds once more. Will Makena heed the Warrior's teachings or seek her own way?Actor, a young man of Ancient Greece looking to make a name for himself, ends up on a trail of side-kicking for some of the greatest heroes ever. However, each one seems to be a little off from their legend. Jason is a jerk. Perseus is an old fart. Theseus is a liar. And so on and so on. Only by the skin of his teeth is he able to survive each time, but when will he be the hero? When will he deserve to become a legend?This is a play in One Act intended for a minimum of two actors. It is a comedy-farce, and it requires a few basic props, blackbox theatre, some costume change for second (or more) actor(s), and repeatedly breaking the fourth wall. It's a good small piece for a mildly mature to fully mature audience.ATTN: Reading it is free. Producing it requires you to contact me the author. Please.

Nancy, Bess, and George are prepared to perform their acts after attending Little Big Top circus day camp, but when Celeste the Hopscotch Poodle disappears while Nancy is taking care of her, the suspects and motives pile up.

In this national bestseller and winner of the Booker Prize, Roddy Doyle, author of the "Barrytown Trilogy," takes us to a new level of emotional richness with the story of ten-year-old Padraic Clarke. Witty and poignant--and adored by critics and readers alike--Paddy Clarke Ha Ha Ha charts the trumphs, indignities, and bewilderment of Paddy as he tries to make sense of his changing world.